“When they’re not at their day jobs, a great many of the island’s 330,000 inhabitants dabble in verse.” The New York Times attempts to understand why Iceland is chock-a-block with poets. A few years back we reviewed one of its better known practitioners (and Björk lyricist) Sjón.
Last week, I directed you to a piece in The Atlantic by John Yorke on the substance of stories. His argument: that all stories have one thing in common–their plot. Now, Lincoln Michel at Electric Literature suggests that rather it is all story structure models that have one thing in common–and that thing is bullshit.
The Facebook IPO was this week’s biggest story. The social media giant, which boasts 800 million members, is seeking a $75-$100 billion market valuation. But hold your horses, investors. A lot of that optimism could be empty hype. After all, look at the site’s requested valuation as a percentage of its 2011 revenue, and compare it to other tech giants like Google and Microsoft. Also, contrary to Mark Zuckerberg’s claim, most of the world does not, in fact, “have access to the internet or mobile phones.”
“My goal isn’t soft multiculturalism, but rather to convey a richer and fuller sense of what literature is, what the possibilities are, and to share the voices that often get excluded or silenced when we speak of ‘literature’ and ‘writing.’” Guernica interviews Counternarratives author John Keene.
The New York Times dives into why prisons fear the New Jim Crow certain states have gone to great efforts to allow their prisons to ban it and in other states it’s fairly difficult to obtain if you’re a prisoner. We’re big fans of the New Jim Crow here; it was a Millions staff pick and extremely popular on Year in Reading lists back in 2013.
In 1946, George Orwell wrote that political prose was formed “to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind.”