France’s top literary award, the Prix Goncourt, has been awarded to the French-Moroccan journalist and novelist Leïla Slimani, The New York Times reports. Slimani’s book, Chanson Douce, is loosely based on a tragic case in New York City in which two children were murdered by their caretaker. Earlier this year we reviewed another book that was a finalist for the prize, The Heart.
"While the revolutionary milieu that was the source of many of the book’s events may have vanished, we have our own milieu." At The Rumpus, Will Augerot re-evaluates John Dos Passos's The USA Trilogy. He concludes that Dos Passos is more relevant than ever. Pair with: Our essay on the polyphonic novel.
Leigh Stein's writing has appeared in places such as DIAGRAM, H_NGM_N, and Dzanc's Best of the Web 2010. She also has a weekly column for The Faster Times. Her debut novel, The Fallback Plan, will be released next January by Melville House. Publisher's Weekly thinks pretty highly of it.
This week poet Mark Baumer was struck and killed by an SUV while walking barefoot across the country. Baumer, 33, began his cross-country walk to raise awareness about climate change, and was documenting the journey on his blog (as well as Instagram and YouTube). Florida, where he was killed, was recently ranked "the most dangerous place for pedestrians" in the United States.
It’s been forty years since a burst of new critical attention gave Anthony Trollope a new life. What is it about him that makes his work enduringly relevant? In the latest New Yorker, Adam Gopnik argues that the author was a master of gossip. You could also read Sara Henary on the author’s two hundredth birthday.
"But poems are not poems if they make people feel dead. I want people to feel alive – even if it is alive with grief." The Guardian profiles poet Danez Smith about poetry; race, gender, and queerness; and their poetry collection, Don't Call Us Dead (a finalist for the National Book Award). Pair with: an essay on writing that gives shape and depth to victims of criminal injustice.