France’s top literary award, the Prix Goncourt, has been awarded to the French-Moroccan journalist and novelist Leïla Slimani, The New York Times reports. Slimani’s book, Chanson Douce, is loosely based on a tragic case in New York City in which two children were murdered by their caretaker. Earlier this year we reviewed another book that was a finalist for the prize, The Heart.
Famous in France
e-Forgetting
Dwight Garner’s New York Times piece last weekend, “The Way We Read Now,” was a joy, but I wonder how his opinions might’ve changed had he read this Time article first. Apparently some scientists speculate it’s harder to remember digital content than print.
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“When were they dead?”
Ever since her Wolf Hall novels hit the stage, people keep asking Hilary Mantel what it’s like to have her characters come to life. She answers them with the question, “When were they dead?“
The Great Indie Bookstore Tour
In 2013, poet and bookseller Alan Brandsted approached Seattle’s Wave Books with an interesting proposal: in exchange for a box of galleys and gas money, he would embark on a cross-country mission to “spread the good word of poetry to independent bookstores.” What followed is the ongoing Indie Bookstore Tour, which is being chronicled on Tumblr (hashtag “#wavepoetrytour”) and Instagram. (First Tumblr post can be found here.)
Translating Anna Karenina
“How earnest, ironic, condescending, moralistic and simply funny a Tolstoy should the translator inhabit? Perhaps the only way to render Tolstoy’s variable voice is to continue producing ever-varying translations.” Masha Gessen looks at the latest English translations of Anna Karenina and breaks down their nuances of word choice and accumulated meaning for The New York Times Book Review, and along the way she questions the novel’s most famous line: just how alike are happy families? How can we know?
Writ Large
“Welcome to another night in the life of Sonia Sotomayor, Supreme Court justice, current queen of the best-seller list and suddenly the nation’s most high-profile Hispanic figure. She may be a relative newcomer to national life, plucked from circuit-court obscurity less than four years ago. But the release of her new memoir, My Beloved World, suggests that she has broader ambitions than her colleagues, to play a larger and more personal role on the public stage.”
Electric Literature v2.0
Electric Literature—first established as a cross-platform digital publisher, but best known for its popular “Recommended Reading” tumblog—has just relaunched itself as a literary advocate built around a strong website and social channels. C0-founder Andy Hunter tells the Washington Post, “Posting a cool photo on social media gets a much greater response than text alone, even in our audience of book lovers. While at first that might seem at odds with literary content, we’ve always felt that changes in the way we communicate create opportunities to reach more people.”
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The Great American Male Novel
The New York Times recently asked Jennifer Szalai and Mohsin Hamid why there isn’t a Great American Novel written by a woman? Both writers concluded that there is no such thing as the Great American Novel. “But if the idea of the Great American Novel is blinding us to exquisite fiction written by women, then perhaps its harm is exceeding its usefulness,” Hamid wrote. We think that’s a bit of a cop out. But a few women showed up on our list of the Greatest American Novels.
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