“[C]an we finally be bold and listen to the artists and the outsiders and the radicals and the freaks and the avant-garde and the base and the youth and the anarchists and all those who don’t want to do business as usual with the limousine liberalism of both the elite Democrats and Republicans? Can we listen to the dreamers instead of the doubters?” Pulitzer Prize-winning novelist Viet Thanh Nguyen has some big, important questions in The Los Angeles Times.
“Percy’s victory set off a controversy that involved the most powerful man in publishing, a famous journalist eager to take credit for the award, and a cub reporter who would go on to become one of the most celebrated writers of our time.” Benjamin Hedin delves into the mysteries of a controversial award.
In case you missed it, this past weekend The New York Review of Books likely outed the author who’s been writing under the nom de plume of Elena Ferrante. Condemnation was fast and furious, including pieces by n+1 and this fantastic Twitter thread by critic Lili Loofbourow. We join the chorus of voices who would rather direct the attention back to Ferrante’s work. Might we suggest starting with this piece about The Neapolitan Quartet‘s subversive power?
Generally speaking, it’s a good idea to take Kathryn Schulz’s book recommendations. However when she refers to something – in this case J.M. Ledgard’s Submergence – as “the best novel I’ve read so far this year,” you really ought to listen up. By the time she invokes Philip Gourevitch, Anne Carson, W. G. Sebald, and John Le Carré in her review of that book, you ought to be reaching for your wallet.
You’ve probably heard it before: never end a story with the phrase “it was all a dream.” Unfortunately for the person who taught you this rule, many classic stories (including Anna Karenina) take place at least partially in dreams. In the NYRB, Francine Prose investigates the trope in fiction.