“[C]an we finally be bold and listen to the artists and the outsiders and the radicals and the freaks and the avant-garde and the base and the youth and the anarchists and all those who don’t want to do business as usual with the limousine liberalism of both the elite Democrats and Republicans? Can we listen to the dreamers instead of the doubters?” Pulitzer Prize-winning novelist Viet Thanh Nguyen has some big, important questions in The Los Angeles Times.
If you’ve been on the Internet in the past week, you’ve probably heard about Beyoncé’s incredible new record, Lemonade. Noah Friedman at Wordshop 101 explains why Lemonade is great press for poets (particularly Warsan Shire, who is featured in the film). Andrew Kay writes on how reading poetry aloud connects us with the dead.
“The first sentence, itself described as a ‘decoy for attention’ in a 1930 story on the new art, is a lure within a lure, created in a new economy increasingly predicated on commercial diversification and instant appeal, in a book market that had never been so populated.” Electric Lit takes us through the history of the novel’s first sentence. Pair with our essay on the art of the opening sentence.
Since they got married and began working 33 years ago, Larissa Volokhonsky and Richard Pevear have translated around 30 works of Russian literature, from The Brothers Karamazov to Doctor Zhivago. Now their interview with the Paris Review is available online from the Literary Hub, and this seems as good a time as ever to bring up that constant debate: who’s greater, Tolstoy or Dostoevsky?
Francine Prose has a new novel out this week, while Elizabeth McCracken has a new story collection on shelves. Also out: Chestnut Street by the late Maeve Binchy; In the Light of What We Know by Zia Haider Rahman; Terms and Conditions by Robert Glancy; The Selected Letters of Elia Kazan; and new paperback editions of The Color Master by Aimee Bender and The Infatuations by Javier Marias.
Now this is the kind of fellowship an author can really get behind: The Standard, East Village, has teamed up with The Paris Review to offer a free hotel room to a writer in need of “three weeks of solitude in downtown New York City.” The deadline for applications is November 1. And in case you’re wondering, the answer is yes. Of course the fellowship will conclude with a swank cocktail party.