“There’s this sense of guilt that my writing career is going well because black people are being killed. I’ve reached a point where I don’t know if I have anything new to say. It’s the same narrative over and over.” Debut novelist Brit Bennett gets profiled for The New York Times about The Mothers, which we included in the list of October book releases we’re most excited about.
Writing as Advocacy
Flavorwire on Author Photos
From Flavorwire, another contribution to the burgeoning field of author photo analysis.
Listening to Poems
At The Rumpus, Darcie Dennigan pens a strange and beautiful review of G.C. Waldrep’s new collection of poetry, Archicembalo: “I dreamt that G.C. Waldrep was offering me a tumbler of Pepsi, and amid the soda bubbles were many pills.”
●
●
Walter White’s Bookshelf
Sad that Breaking Bad is over? Bryan Cranston might have a new TV show on the way, and it was inspired by The Dangerous Book for Boys, he said in an interview for The New York Times “By the Book” series. While you wait, check out our article on what to read after you’ve finished watching Walter White’s saga.
●
●
Friends Forever
Attention Babysitters Club fans: at 5:30 EST tonight, Scholastic will be holding a live Twitter party with author Ann M. Martin. Maybe it’s finally time to find out if Claudia ever finished middle school, yes / yes?
●
●
Type Setting
In a clip The Atlantic calls “technology porn for book lovers,” you can see how manuscripts became books in the 1940s.
●
●
Two Moons, Two Reviews
In the Los Angeles Review of Books, Charles Yu describes reading Haruki Murakami’s 1Q84 as not so much reading it, but rather “liv[ing] with it for a while.” I bet our own Kevin Hartnett would agree.