“There’s this sense of guilt that my writing career is going well because black people are being killed. I’ve reached a point where I don’t know if I have anything new to say. It’s the same narrative over and over.” Debut novelist Brit Bennett gets profiled for The New York Times about The Mothers, which we included in the list of October book releases we’re most excited about.
Even if you read and watch all of these pieces about Robert A. Caro, it’ll still amount to only a fraction of the time necessary to read one of his books. So here goes: a typical Sunday for Mr. Caro; not one but two fake Caro Twitter accounts (plus a real one); Mr. Caro stops by The Daily Show; and The Passage of Power gets reviewed by us, NPR, The New York Times, The New York Review of Books, and The Wall Street Journal.
“What do I want to say with this new language that I can’t say in my native language—or any other language that currently exists?” From The Lord of the Rings to A Game of Thrones, Josephine Livingstone explores the history of invented languages, over at The New Republic.
After passing through the House, a new bill establishing a four-year term limit for the state’s Poet Laureates is set to reach the Florida governor’s desk in the near future. The Sunshine State has been without a Poet Laureate since Edmund Skellings died in 2012.
A couple weeks ago, Matt Ashby and Brendan Carroll argued in a Salon piece that David Foster Wallace, who wrote an essay about the television and irony back in the early ‘90s, presciently diagnosed the danger of snark in our own age. Now Peter Finocchiaro, a senior editor at Salon, argues instead that we need irony more than we ever have. You could also read A-J Aronstein’s notes from the DFW Symposium.