“There’s this sense of guilt that my writing career is going well because black people are being killed. I’ve reached a point where I don’t know if I have anything new to say. It’s the same narrative over and over.” Debut novelist Brit Bennett gets profiled for The New York Times about The Mothers, which we included in the list of October book releases we’re most excited about.
Writing as Advocacy
Maybe His Advice Isn’t So Great After All
You might think that the co-author of Fiesta: How to Survive the Bulls of Pamplona would be able to partake in the Spanish city’s annual event without suffering any injuries. Unfortunately for Bill Hillmann, that’s not the case.
With One Eye Squinted
“I can with one eye squinted take it all as a blessing.” The New Yorker reports on “Flannery O’Connor‘s Manhattan Memorial” and pitch-perfect quotation.
A Little Day in the Life
“To Yanagihara, the commitment to journalism is a vital expression of the practical side of her nature: she likes the adrenaline of short deadlines and the satisfaction of making a new product each week.” The Guardian profiles Hanya Yanagihara about her life, fiction, and day job as the editor of T magazine, the New York Times style supplement. From our archives: The Millions’ interview with the acclaimed novelist.
One After the Other
It’s been seventeen years since Judy Blume published a book for adult readers. Her latest, In the Unlikely Event, brings that streak to an end. In the Times, Caroline Leavitt reviews her new book, which depicts a small town in the fifties reeling in the wake of three consecutive plane crashes. FYI, our own Lydia Kiesling wrote an essay on Blume’s book Forever.
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Overhearing the Wisdom
Recommended Listening: Poet Rachel Zucker speaks with John Murillo about duende and the ethics of writing poetry.
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Another Dossier
“Part of what I realize now I was doing in Proxies was to integrate the incongruous aspects of my self: the child of the truck driver and Primitive Baptist self, the queer intellectual poet self, the professor without an office self, the prizewinner who was ‘midcareer’ before he was ’emerging,’ the middle-aged man at the entry-level rungs of the gig economy.” Go check out this interview with Brian Blanchfield over at The Rumpus. This is the second Blanchfield interview we’ve told you about, both worth taking a look.