“The broad expansion of digital journalism has led to a growing overlap in the work and roles of newspapers, digital-only news sites, and magazines.” The Pulitzer Prize Board announced yesterday that both print and online magazines will be eligible for the 2017 journalism prizes. This doesn’t make up for 2012, but it’s an improvement.
Well That Took Long Enough
Back in the High Life Again
Self-styled music critic Patrick Bateman, the protagonist of Bret Easton Ellis’s 1991 novel American Psycho, certainly had a lot to say about 80s mainstays like Genesis and Huey Lewis and the News. Over at The New Inquiry, J. Temperance argues for Steve Winwood as Patrick Bateman’s musical doppelgänger. Go ahead and take a look at this essay by Bill Morris of The Millions on The Canyons, a film for which Ellis wrote the screenplay.
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Remarks on Color
Recommended Reading: On Walter Benjamin and Ludwig Wittgenstein. “They have many things in common, but where they connect most strikingly is in their shared suspicion of theory and their emphasis on the visual.”
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Hansel and Gaiman
Neil Gaiman’s newest graphic novel isn’t even out yet, but it already has a movie deal. His update on the Brothers Grimm fairytale Hansel and Gretel with illustrations by Lorenzo Mattotti comes out on October 28, and Juliet Blake is developing a live action version. Hopefully, it’s better than Hansel & Gretel: Witch Hunters.
Tuesday New Release Day: Sorokin, Perec, O’Nan
Out this week is Russian author Vladimir Sorokin’s Day of the Oprichnik. Coinciding with that release, NYRB Classics is putting out Sorokin’s Ice Trilogy. Georges Perec’s The Art of Asking Your Boss for a Raise is now on shelves, as is Stewart O’Nan’s Emily, Alone, in which he revisits the Maxwell family from his 2002 book Wish You Were Here.
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