The Millions is thrilled to welcome a new staff writer, Ismail Muhammad, whose first piece for the site publishes today. (You may have seen Ismail’s work at Zyzzyva and the Los Angeles Review of Books previously.) He splits his time between Los Angeles and Oakland, where he’s currently working on a dissertation and a novel. Find him on Twitter @trapmotives and Instagram @trapmotifs.
Lev Grossman offers some first thoughts on Every Love Story is a Ghost Story, the David Foster Wallace biography written by D.T. Max due out in September. More interestingly, Grossman wonders whether we’re nearing the death of hysterical realism, that manic, maximalist genre James Wood defined in his review of Zadie Smith’s White Teeth.
A few weeks ago, Benjamin Hale wrote an article for us about the trivialities and happenstance associated with publishing prizes. His point was that legacy was more important than short-lived fame. In a way, his piece is nicely supplemented by Tom Bissell’s essay on the luck and chance necessary to attain literary success.