“[G]uess what, spending hours of your spare time plowing through some dense and symbol-laden carnival of affectation and ambiguity only makes you resentful of the publishing industry that pushed the book on you in the first place.” Alex Balk at The Awl takes the piss out of recent studies that have suggested reading literary fiction might make us better people. Writer John Vaillant, whom we interviewed last year, might disagree.
The Empathy Exams
O. Brisky’s Book Sale
A friend of the late O.J. Brisky – longtime proprietor of Micanopy, Florida’s O. Brisky Books – is in the process of selling 100,000 of the man’s books, many of them rare.
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The Road Trip Novel in the Modern Age
History professor Allen Pietrobon discusses the need to update the canon of road-trip fiction to include women and people of color.
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The Experience of Being Human
Recommended Reading: Over at BOMB Magazine, Jesse Ball and Catherine Lacey discuss strategies for a non-interview, why they write, and poetry’s “direct utility toward experience.”
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The Contrived
It’s a common saying among actors that the script does most of the work. Which raises an interesting question: is it possible for a great writer to make art out of a bad story? At The Kenyon Review’s blog, Amit Majmudar says it is, using Shakespeare as proof. Related: five experts on the Bard’s greatest plays.
What’s a Literary Short Film?
Book trailers are one thing, but what’s a literary short film? According to Red 14 founders Adam Cushman and Mike Sandow, “it’s not advertising a product; it gives a cinematic glimpse into the book, one which will ideally make the viewer interested in learning more about the author, the author’s current book, and the author’s past and future work.” Together, the pair has launched a Kickstarter campaign to fund four such films about four worthy titles (Matt Bell’s awesome debut novel among them).
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YA Gay
Two American YA authors, Rachel Manija Brown and Sherwood Smith, were asked to “straighten” gay characters. Here is the rebuttal that followed.
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