“[G]uess what, spending hours of your spare time plowing through some dense and symbol-laden carnival of affectation and ambiguity only makes you resentful of the publishing industry that pushed the book on you in the first place.” Alex Balk at The Awl takes the piss out of recent studies that have suggested reading literary fiction might make us better people. Writer John Vaillant, whom we interviewed last year, might disagree.
The Empathy Exams
“I’m thousands of miles away, and you can’t get to me”
The Yale Literary Magazine caught up with the reclusive author Denis Johnson to discuss the poets who made him want to write poetry, his favorite mass cultural product, and the chief reason he avoids giving interviews.
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Scream for ‘The Scream’
A recent study by the American Psychological Association finds “people are more likely to be moved and intrigued by abstract paintings if they have just experienced a good scare.”
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Beautiful Again, and Interesting, and Modern
Have we entered into the age of New Modernism? Better yet, what does “New Modernism” even mean? Let regular Millions contributor Jonathan Russell Clark explain it to you in his essay for LitHub on George Saunders, Alexandra Kleeman, and experimental feeling. This Millions review of Gabriel Josipovici’s What Ever Happened to Modernism? is particularly relevant.
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To Be Outnumbered
“At first I had three [children], because I think we need to be outnumbered. It’s good for them. That was my plan when I had three children.” Sit down with Karl Ove Knausgaard as he drives his daughter home. Jonathan Callahan reflects on how Knausgaard’s writing consumes him.
“Every writer needs an editor”
“Every writer needs an editor, and anyone who says he doesn’t has a fool for a muse.” The New York Times interviews journalists on the importance of editors, and it’s well worth the short read. Pair with our own Edan Lepucki‘s conversation with her editor.
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The One I Love
Recommended Reading: Sarah Sansolo on her childhood obsession with Britney Spears.
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