Hold on to your starched collars: In breaking Shakespeare news, Oxford University Press announced that in its new edition of the complete works of William Shakespeare, Christopher Marlowe will receive credit as co-author on the Henriad plays. And if you’re really tired of Will getting all the credit, you’ll enjoy our recent piece about the surge of interest in Ben Jonson, who’s basically the Third Tenor to their more famous voices.
“Imagination for me has always been about the spaces in between, a sort of filler that completes a picture. If what we know is the jaggedness of the ocean floor, then imagination is the body of water that defines what is hidden and what is seen.” This essay on interstices and representing Hawai’i Creole English as a legitimate literary participant is excellent.
Kate Atkinson’s editor at Little Brown, Reagan Arthur, has posted at the LBC blog and there’s some good Q & A going on in the comments.I just surreptitiously spy on people reading, but Ed – prompted by an idea from Sara – marches right up to them and quizzes them on their literary knowledge.Been enjoying a couple of new (new to me, anyway) book blogs recently: Using Books Weblog and BookLust.
You can listen to Robert Kloss read from The Alligators of Abraham, which was released last Thursday from Mud Luscious Press. The author also composed a playlist to accompany his book. The gorgeous text has been receiving much-deserved advance praise, and it’s even borne a “series of texts – videos, art, stories, and more – written, filmed, cobbled together, and razed by different artists from around the literary world.”
After last week’s NYT “Room for Debate” feature, ostensibly in answer to the question of why so many adults read YA fiction, Roger Sutton at the Horn Book took umbrage at the panelists’ only partial engagement with the question. In the end though, he makes his own position clear: “I don’t worry about adults reading YA novels. Read what you want.”