“I fought the urge to throw up in my hands as I asked myself, ‘How the fuck did I get here?’” When you’re a jewel mule, as Kayli Stollak describes in this piece for The Establishment (via Narratively), going through customs can be a little stressful. For more lurid tales of crime and aristocratic extravagance, see our own Matt Seidel‘s review of Making Monte Carlo: A History of Speculation and Spectacle.
Run the Jewels
It Doesn’t End on Tuesday, Either
Yesterday was Fat Tuesday down in New Orleans, and if you missed the action down there, you can certainly get a taste of the local flavor by reading Rick Bragg’s 1997 piece in The New York Times, “New Orleans Doesn’t Wait for Friday.” (via)
Ta-Nahisi Coates’ bibliography
Earlier this month, Ta-Nahisi Coates published a conversation-changing long form article on race and reparations in The Atlantic (we covered other pundits’ responses here). Now, he is blogging a brief bibliography of the sources he consulted while writing that seminal essay. Parts one and two are available now, with two more installments planned for today and tomorrow. Whether or not you agree with Coates, it’s a fantastic reading list on race relations in America.
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Poolside Reading
Leanne Shapton spoke with the New York Observer about drawing, writing, friendship, competitive athletes, and her new book Swimming Studies, which has been excerpted by The Paris Review Daily, and, of course, reviewed here on the The Millions.
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Martin Amis in The Globe and Mail
Martin Amis is interviewed in The Globe and Mail: “All my novels are feminist from about 1980 on.”
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The Writer’s Bedroom
We recently ran a piece called “Where We Write,” in which our staff writers posted photographs of their work spaces. Apartment Therapy has taken it a step further and revealed where some famous and not-so-well-known writers slept. Turns out a bedroom, like a work space, speaks volumes about a writer. But one question remains: What the hell is Patti Smith doing on William S. Burroughs’s bed?
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Write This Down
“Does handwriting matter?” That’s the question some researchers are working to answer and that Maria Konnikova tackles in a piece for The New York Times. The article ends by suggesting that “with handwriting, the very act of putting it down forces you to focus on what’s important… maybe it helps you think better,” which is doubtlessly encouraging to every writer who works on their drafts in longhand.
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