“I’ve turned paranoid lately. When I’m in an airport, I look at the people around me at the gate, trying to suss out who might make a good ally if things went bad. I carry two plastic tubs full of warm clothes, hiking boots, and first-aid supplies in the back of my Subaru at all times. I have as large a volume of canned and dry goods in my pantry and laundry room as the shelves will hold.” Rebecca Onion for Slate on the appeal and contagion of “prepper fiction.” Pair with our review of Claire Vaye Watkins‘s Gold Fame Citrus, one of the recent bumper crop of apocalyptic narratives.
“I think what I would really most like to write about is palm trees and bougainvillea and hummingbirds. I would like to go into the desert and write about salamanders and the Grand Canyon, but history keeps rupturing my experience because politics are everywhere.” National Book Award winner Robin Coste Lewis on overcoming brain damage and becoming a poet. Pair with Andrew Kay’s Millions essay on the power of poetry.
Etgar Keret is busy these days. Aside from publishing a story about the ongoing Israeli/Palestinian conflict, and aside from promoting stories for Electric Literature’s Recommended Reading blog, he also has time to commission novelty houses in Warsaw. At 133 cm (or ~4.3 feet) wide, the Keret House is, in my opinion, the stuff of nightmares. (Scroll along the page banner for more pictures.)
Recommended Reading: This excerpt from The Work of the Dead: A Cultural History of Mortal Remains by Thomas Laqueur. In it, Laqueur explores the cultural peculiarities of mourning and the necrobotany of the yew tree, or “tree of the dead.”