Fans of Arundhati Roy are celebrating at the news that the author will publish a new novel, her first in 20 years, reports Electric Literature; The Ministry of Utmost Unhappiness is scheduled for release in 2017. Our own Garth Risk Hallberg maaaaay have poked a bit of fun a few years back at the title of Roy’s first novel, The God of Small Things, but that was all in good fun.
Recommended Reading: Mary Addison Hackett reflects on heroin and harm reduction at n+1. “It is clear that no one — no neuroscientist, psychologist, psychiatrist, or physician — can explain what addiction is or account for its contradictions. Tobacco, cocaine, heroin, alcohol, MDMA, amphetamines — are they inherently addictive? Common knowledge suggests they are. But all around me I see exceptions more than the rule, my friends who use, have used, some or all of these drugs, including heroin, casually. I, too, am one of the exceptions.”
“This is worth repeating to yourself every day as you sit down at your keyboard: You must write to the end of the story. You must make progress toward that end today. A sentence, a paragraph, a chapter. You must push the story forward, forward, forward. Don’t stop until you get to the end.” Hugh Howey on the Amazon Author Insights blog about how to write a rough draft. Pair with a popular and wonderfully motivating piece by Nick Ripatrazone, “Don’t Worry. Don’t Wait. Write.”
“The best critics do more than explain why they liked or didn’t like a book; they try to understand books, and show other readers, by example, how to read and think about those books. Specialized expertise can work in service of that goal, but is probably not as important as a willingness to attempt to be a work’s most thoughtful reader.” Elisa Gabbert writes for Electric Literature about who gets to translate and review works and takes Kazuo Ishiguro‘s latest novel, The Buried Giant (which we reviewed here), as a case study.