“To talk to Le Guin is to encounter alternatives. At her house, the writer is present, but so is Le Guin the mother of three, the faculty wife: the woman writing fantasy in tandem with her daily life.” The New Yorker dedicates a long profile to Ursula K. Le Guin. Pair with our interview with the prolific author.
The Fantastic Ursula K. Le Guin
Frances Cha on Thinking in Two Languages
Frances Cha discusses the process behind writing her book If I Had Your Face, as she navigated two languages and audiences.
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Postscript
Just before he died earlier this year, Nobel winner Günter Grass completed his last manuscript, Vonne Endlichkait, “a literary experiment” that combines prose, poetry, and illustration. The book has just been published in German and will be available in English next year.
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B&N or Bust
We need Barnes & Noble. Alex Shephard writes on the role of the retailer for publishers and readers. You could also check out our series on the Future of the Book.
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Inventing Language
From J.R.R. Tolkien‘s High Elvish to Anthony Burgess‘s Nadsat: the BBC takes a survey of fictional languages and the invented words that made it into our everyday speech, like Dickens‘s “butterfingers” and Shakespeare‘s “scuffle.”
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I Heard You Like Underground So…
Xzibit would have a field day with this one: an underground bookshop that sells underground books and zines.
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Draw Hard
Harold and the Purple Crayon is a classic children’s book. Is it also a writing guide? In an essay for Bookslut, Mairead Case explains why she re-reads it whenever she’s finishing a project: the main character’s need to create a room for himself is a corollary to the writing process.
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