Cairo bookstore Bab Aldonia has installed a soundproof room for its customers in which, MobyLives reports, “anyone can go and scream in privacy for ten minutes at a time.” An unsigned piece on the online magazine Cairoscene notes that working out one’s frustrations within the safety of its walls “may prove just as effective as regime change.” The stakes are considerably lower, but if you’re a fan of indie booksellers, you’ll also enjoy our piece about bookstores we have known, loved, and worked for.
Do You Have That in Paperback
So Much Drool
Sorry for the mess but we’re still drooling over these photos of A Brief History of Seven Killings author Marlon James‘s Minneapolis loft. Slightly less glamorous but (we think) of equal literary importance, these pictures of our own writing spaces.
Literature Isn’t Publishing
“In re-organizing the priorities of book publishing—by inventing new models rather than trying to repeat past success, by valuing ingenuity over magnitude, by thinking of sales as a way to make great books possible rather than the point—indie presses aren’t just becoming the places where the best books are published; they’re already there.” Over at The Atlantic, Nathan Scott McNamara writes on why American publishing needs indie presses. For more of his writing, check out his essay on Denis Johnson for The Millions.
Remnick Interviewed
Robert Birnbaum has a terrific, funny, wide-ranging interview with David Remnick, a must read for all the New Yorker obsessives out there. (via Kottke)
With Time Running Out
Why do some ideas only come to you when you’re under a tremendous amount of pressure? At the Ploughshares blog, S. Hope Mills reflects on the importance of deadlines, which may explain (according to Guardian columnist Robert Crum) why Dickens chose to serialize his novels.