“There is so much low self-esteem in girls, and so much self-hate that I keep reading about. My first idea for a book was something that would help to lift girls out of that place of negativity.” Actor Gillian Anderson and journalist Jennifer Nadel are writing a 300-plus page guide entitled We: A Manifesto for Women Everywhere, slated for release in March 2017.
As the various Occupy protests endure another week, Todd Gitlin's excellent piece in the LA Review of Books is an eloquent exploration of what the movement means. Across the country, Brooklyn-based n+1's ambitious gazette, Occupy!, is available for free download (PDF).
Does poetry tickle your fancy? Let us go then, you and I, when the evening is spread out against the sky and check out these few different lists of the best poetry books of 2015, from sources like The Guardian and Tin House. Our own Year in Reading series is also chock full of poetry recommendations.
We haven't seen a comic from Bill Watterson in two decades, but he's back with an illustration. Watterson drew the poster art for a new documentary on comic strips Stripped, which also features him. There are no tigers to be found but a nude man jumping out of his clothes in full color instead.
"Why do we spend so much time with stories whose endings we already know?" Derek Thompson writes about nostalgia and culture for The Atlantic, and his piece pairs well with Katy Waldman's Slate essay about "thinking that you’re not getting as much from reading as you used to."
"As for the charge that [Constance] Garnett writes in an outdated language, yes, here and there she uses words and phrases that no one uses today, but not many of them. We find the same sprinkling of outdated words and phrases in the novels of Trollope and Dickens and George Eliot. Should they, too, be rewritten for modern sensibilities? (Would u really want that?)" It's shaping up to be a day of passionate defenses. Writing for the New York Review of Books, Janet Malcom urges readers to put down their Pevear/Volokhonsky translations of Russian classics and pick Constance Garnett's back up again.