The New York Public Library has named five finalists for its inaugural Harriet Tubman prize, which recognizes non-fiction books that explore the topic of slavery. You may also want to revisit our own Edan Lepucki‘s essay from a few years back on slavery in fiction.
Andrew Phelps interviews Sarah Wolzin, director of MIT’s new Open Documentary Lab, which “brings technologists, storytellers, and scholars together to advance the new arts of documentary.” The Lab, according to Phelps, is “part think tank, part incubator for filmmakers and hackers.”
Out this week: I Am Radar by Reif Larsen; Discontent and Its Civilizations by Mohsin Hamid; Bitter Eden by Tatamkhulu Afrika; Wonderkid by Wesley Stace; and Lucky Alan, a new story collection by Jonathan Lethem. For more on these and other new titles, check out our Great 2015 Book Preview.
Stephen Elliot explains why publishers are shooting themselves in the foot when they gouge authors trying to buy copies of their own books.
If consecutive profiles in The New York Times and The New York Review of Books are any indication, the reopening of Moscow’s Bolshoi Theatre is a very big deal. To celebrate from the comfort of your chair, however, you can listen to the overture from Pyotr Ilyich Tchaikovsky‘s opera The Voyevoda, which opened in the Bolshoi in 1869.
Here’s a thing you’ve probably never thought of before: the sheer weirdness of some of the Christmas rituals in many canonical children’s books. In The Irish Times, Rosita Boland catalogues a few of the stranger ones, including Laura Ingalls Wilder’s Christmas dinner in summer and Lucy’s gift of a dagger in The Lion, The Witch and The Wardrobe.