“Skipping or skimming parts of a narrative should not only be expected but encouraged, particularly if an author is writing without clarity or purpose or showing off. Life’s too short to slog through some smarty-pants attempt to demonstrate a mastery of mechanical engineering or botany.” Adam Kirsch and Anna Holmes face off for The New York Times Bookends column about whether there are right and wrong ways to read a book.
Sarah Howe’s debut poetry collection, Loop of Jade, has been awarded the T. S. Eliot prize. “Howe’s work – the first debut poetry collection to win the British prize since it was inaugurated in 1993 – triumphed over a particularly strong shortlist, which featured some of poetry’s biggest names, including Don Paterson, Claudia Rankine, Sean O’Brien and Les Murray.” If poetry isn’t for you, try our own Nick Ripatrazone’s ten poems for people who hate poetry.
UNESCO announced this week that Krakow has been named the seventh City of Literature. The Polish municipality joins Edinburgh, the first UNESCO City of Literature, and Iowa City, Melbourne, Dublin, Reykjavik and Norwich. The city has been home to such notable authors as Nobel Prize winners Henryk Sienkiewicz, Władysław Stanisław Reymont, Czesław Miłosz, and Wisława Szymborska.
“The last thing your creative brain needs is a klaxon shouting WRONG while you’re in the middle of a creative thought. Eventually, as you use Neo, you’ll stop thinking about spelling and typos. This will push your creativity to the next level. You can always step through a spell check any time you like. But not while you’re writing.” Hugh Howey, author of the Wool series, proposes a new word processor called Neo.“I’m currently talking with programmers and consultants on how to get this done,” he writes on his blog, describing the application’s potential features. “Might be a decade before anything comes to light, so don’t hold your breath. But I’m willing to invest the time and money to make this a reality.” Pair with programmer Philip Hopkins‘s meditation on code and writing.
Out this week: Under the Udala Trees by Chinelo Okparanta; After the Parade by Lori Ostlund; Hotel by Joanna Walsh; The Bamboo Stalk by Saud Alsanousi; Succession by Livi Michael; Selected Later Poems by C.K. Williams; and Notes on the Assemblage by Poet Laureate Juan Felipe Herrera. For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
This morning, the longlist for the 2015 IMPAC Dublin award came out, and the nominees include some familiar names. Year in Reading alum Chimamanda Ngozi Adichie’s Americanah is on there, as is Neil Gaiman’s The Ocean at the End of the Lane (reviewed here by our own Tess Malone), Donna Tartt’s The Goldfinch (which won this year’s Pulitzer) and The Flamethrowers by Rachel Kushner (whom you can learn more about in this essay by our own Bill Morris).
David Foster Wallace has become an American legend in his own right, so it makes sense that he’ll be coming to the big screen soon. Jason Segel will play the famous writer in an adaptation of David Lipsky’s Although of Course You End Up Becoming Yourself with Jesse Eisenberg as Lispky. Can one movie handle this much neurosis?