“Skipping or skimming parts of a narrative should not only be expected but encouraged, particularly if an author is writing without clarity or purpose or showing off. Life’s too short to slog through some smarty-pants attempt to demonstrate a mastery of mechanical engineering or botany.” Adam Kirsch and Anna Holmes face off for The New York Times Bookends column about whether there are right and wrong ways to read a book.
Have you ever wondered what a music note might look like? Now you have, so go and check out Resonantia by artists Jeff Louviere and Vanessa Brown, a work which tests the limits of “cymatics—the patterns that sound waves induce in physical objects.” One of Louviere’s projects involved photographing the “shapes” of each of the 12 notes. Spoiler alert: G looks like a devil.
“Where does the line between the self-portrait and the selfie fall? Both Kardashian West and Kahlo are masters of the form—suggesting that perhaps there is no clear line at all.” Anyone who puts Frida and Kim together in an essay, as Sarah Murray has for The Rumpus, has our full and enthusiastic support. Also relevant: Alizah Salario‘s piece about the naming of North West.
VQR has published an essay by Chris Fischbach of Coffee House Press that provides an overview of some of the innovative small presses at work today. Fischbach specifically mentions Tin House, Melville House and Two Dollar Radio as “nimble” publishing houses that “can try things big publishers might not find worthwhile or consistent with the aims of a traditional publishing program,” such as producing micro-budget films or illustrated versions of classic works of literature.