“When we read with a child, we are doing so much more than teaching him to read or instilling in her a love of language.” Anna Dewdney, best-selling children’s author and illustrator, died this past weekend after a battle with brain cancer. Her obituary concluded with this: “She requested that in lieu of a funeral service that people read to a child instead.”
A few days ago, Amazon announced the launch of their new "@Author" feature for the Kindle, whereby readers can click on an e-book passage and ask the author questions about it directly. I've broken out in a cold poststructuralist sweat about this over on The New Yorker's Book Bench blog.
Sara Majka’s debut collection Cities I’ve Never Lived In is forthcoming from Graywolf Press. At Longreads, check out one of her short stories from the collection on working in soup kitchens across the country. Pair with our celebration of Short Story Week for recommendations, reviews, and more.
"White Americans do not realize how black they are," writes Andrew Sullivan at the Daily Dish. If, upon reading Sullivan, you find yourself questioning your racial identity, try the blog Stuff White People Like--sure, most of it is really stuff that dinks and yuppies like (class trumps race, as Walter Ben Michaels explains at the LRB), but it might help you brush up on the ways and loves of white folks: camping, pea coats, hating your parents, Wes Anderson, diversity, sushi, standing still at concerts...
Somewhat overshadowed by David Simon's recent op-ed on the state of modern America (if not capitalism itself) was the news that Wendell Pierce – featured prominently in both The Wire and Treme – secured a book deal for his meditation on Hurricane Katrina and "the effect it had on his family, his life, his memory, and his hometown."
Gary Indiana posits that “no current literary label appealingly describes the kind of narratives [Renata Adler’s] Speedboat and Pitch Dark are.” This might be true. However in the name of moving forward with discussion, perhaps we can all go with Matthew Spektor’s summation of Adler’s debut novel: “if it’s ‘like’ anything at all, a steeplechase of [dazzling] hurdles could be it.”