“When we read with a child, we are doing so much more than teaching him to read or instilling in her a love of language.” Anna Dewdney, best-selling children’s author and illustrator, died this past weekend after a battle with brain cancer. Her obituary concluded with this: “She requested that in lieu of a funeral service that people read to a child instead.”
The Ultimate Goodbye Gift
Charles Dickens’s Mistress
All six of the forthcoming films previewed by The Week’s Kerensa Cadenas look outstanding, but of particular relevance to Millions readers is The Invisible Woman. The film, which is an adaptation of Claire Tomalin’s biography of the same name, follows the life of Ellen “Nelly” Ternan (Felicity Jones), an actress who met Charles Dickens (Ralph Fiennes) and became his secret mistress.
Take A Hike
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Revisiting the Ghosts of Old Drafts with John Keene
John Keene discusses his new poetry collection, Punks, as well as his process for revisiting his older work.
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Strange Brew
Lorrie Moore once said in an interview that what’s good for writing is bad for life. In this vein, we might assume that coffee, which is bad for your health but good for your writing, neatly supports her conjecture. But what if it turns out that coffee is a detriment to creativity? Maria Konnikova investigates research that suggests this might be the case.
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Mark It Up
Recommended Reading: Laura Miller’s argument for writing in books. You could also read Sam Anderson’s marginalia in Dan Brown’s Inferno, as well as his Year in Marginalia from 2010.
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No Word on What He Thought of Richard Simmons
In a review of My 1980s & Other Essays, Adam Kirsch reveals that Wayne Koestenbaum once compared a verse from a Robert Lowell poem to Buns of Steel. (Yes, that Buns of Steel.)
Gwendolyn Brooks’s Archives Headed to Urbana-Champaign
The literary archives of Gwendolyn Brooks – the first African-American to win a Pulitzer Prize – are headed to the University of Illinois Rare Book and Manuscript Library. The haul amounts to more than “150 boxes stuffed with manuscripts, drafts, revisions, correspondence, scrapbooks, clippings, homemade chapbooks in which Brooks neatly handwrote her earliest (unpublished) poems, and heavy bronze awards ensconced in velvet-lined boxes collected later in her career.”
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