“[T]here are no creative writing programs in Mexico, so people rely on the infinite patience of their friends.” Valeria Luiselli and Laia Jufresa, longtime readers of each other’s work, in conversation over at BOMB Magazine. See also: our review of Luiselli’s The Story of My Teeth.
We’ve grappled before with the dark world of Kindle self-publishing. We even published a cautionary tale of trying to live off Kindle erotica. In The Guardian, a look at the worst book covers of the Kindlesphere, all of which appear on an excellent Tumblr.
"I’ve always been interested in the internal shape-changes of the poem. In my student days, it was common to assume that the poem makes a statement — that it’s protesting war, or is grieving a death. My teachers, on the whole, didn’t see a poem as an evolving thing that might be saying something completely new at the end because it had changed its mind from whatever it had proposed at the beginning." An interview with Harvard's Helen Vendler about the structure of poetry, the benefits of studying science and mathematics, and the "miraculous" voices of Shakespeare and Keats.
Amber Sparks investigates why short stories are overlooked. She writes, “Most people really don’t like short stories. And that includes lots of critics, who often seem to regard short story collections as a warm-up for the real thing.” Pair with Paul Vidich’s Millions piece about the future of the short story.