“[T]here are no creative writing programs in Mexico, so people rely on the infinite patience of their friends.” Valeria Luiselli and Laia Jufresa, longtime readers of each other’s work, in conversation over at BOMB Magazine. See also: our review of Luiselli’s The Story of My Teeth.
Leave it to Roxane Gay to come up with a novel format for an essay on the feminist novel. In the new issue of Dissent, she presents eleven theses on the topic, including references to Toni Morrison’s Beloved, Erica Jong’s Fear of Flying, and Jeanette Winterson’s Oranges Are Not the Only Fruit. Sample quote: “Not every novel that concerns itself with the lives of women is a feminist novel. Fifty Shades of Grey is not a feminist novel.” You could also read our own Edan Lepucki on the problem with feminist anthems.
Photographer Rose-Lynn Fisher uses powerful scanning electron microscopes to provide “an unexpected view of [a] familiar subject: … human tears.”
New in fiction this week: Benediction by Kent Haruf and Ten White Geese by past IMPAC winner Gerbrand Bakker. In non-fiction: Salt Sugar Fat: How the Food Giants Hooked Us, Michael Moss’s food industry exposé excerpted in the recent Times Magazine. From the other side of the food spectrum is Issue 6 of Lucky Peach. And it’s a big day for baseball fans: the 2013 Baseball Prospectus is here.
If you haven’t watched it already, you should now. Lin-Manuel Miranda reads a sonnet in honor of his wife and the victims of the Orlando massacre at the Tony Awards. “And love is love is love is love is love is love is love is love cannot be killed or swept aside.”
A group of Austrian artists aims to “reconfigure and recontextualize” a memorial to Austrian poet Josef Weinheber, who engaged in Nazi activities and wrote numerous pro-Hitler propaganda pieces. Michael Kaminer caught up with Eduard Freudmann, the leader of the Vienna-based push for recontextualization, who hopes to spark a debate “about how to proceed with the … artistic reconfiguration of a Nazi monument.”