“Because I now know that the man who had come to the door was my mother’s stalker, I’ve injected the memory of his arrival at my childhood home with more detail than I actually possess.” From Catapult, the latest installment of “After a Fashion,” writer Esmé Weijun Wang’s monthly column examining articles of clothing she owns and the stories behind them. Consider also our review of Women In Clothes, an anthology resulting from the collaboration of authors Sheila Heti and Heidi Julavits.
The Stalker and the Nightgown
The Drama of Rejection
We’ve all been rejected; after all, we’re writers. Yet sometimes it’s nice to know someone has it worse than you. With that in mind, New Hampshire Public Radio presents dramatic readings of famous rejection letters. Pair with: Our ask a writing teacher on rejection from various literary journals.
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DFW, Edited
The changes between the transcription of David Foster Wallace reading ‘A fragment of a longer thing’ in 2000 and the version of that story ‘Backbone’ as published in the recent New Yorker. (via The Paris Review)
Marginalia in the Digital Age
With the advent of e-books and digital reading, does marginalia still exist? Alexandra Molotkow looks at how this writing form has evolved.
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Personal Space
Sometimes, in a narrative, it’s necessary to focus on one scene, in one place, for as long as one possibly can. In his new graphic novel, Here, Richard McGuire takes this to an extreme, setting the entirety of the story in one corner of a character’s living room. In the Times, Dwight Garner reviews the new book.
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