“Because I now know that the man who had come to the door was my mother’s stalker, I’ve injected the memory of his arrival at my childhood home with more detail than I actually possess.” From Catapult, the latest installment of “After a Fashion,” writer Esmé Weijun Wang’s monthly column examining articles of clothing she owns and the stories behind them. Consider also our review of Women In Clothes, an anthology resulting from the collaboration of authors Sheila Heti and Heidi Julavits.
The Stalker and the Nightgown
Say It Loud
At Longform, you can find a nifty old essay, originally published in 1990 in The Missouri Review, in which Mark Costello and David Foster Wallace pay a visit to a pioneering rap studio.
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Thoughts and Prayers
For the L.A. Review of Books, a conversation on gun violence, "thoughts and prayers," and Shannon Watts’s new book Fight Like a Mother, which chronicles the founding of grassroots action network Moms Demand Action.
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What’s The Rush?
Benjamin Percy makes the case for slowing down, “the best thing [he] ever did for my reading, which might be the best thing [he] ever did for [his] writing.”
If Shakespeare Was a Programmer
“While it’s easy to dismiss coding as rote exercise—a matter of following rules—it’s worth remembering that natural language is subject to rules of its own: grammar, syntax, spelling. The best writers test these rules, bend them, or break them outright, and in doing so they keep the language alive…. With that in mind, I wanted to apply the quirks and transgressions of the great authors to JavaScript, to see where that pushed the language.” Angus Croll imagines Shakespeare as a programmer in a piece for Quartz and in his book, If Hemingway Wrote JavaScript.
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After the Storm, a Novel
“What stereotypes will they critique, destroy, or create? What, in other words, will the post-earthquake novel reveal about Haiti’s most recent losses, obstacles, and hopes for the future?” Patti Marxsen on the post-earthquake Haitian novel, over at The Critical Flame.
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Je Ne Sais Quois
Chances are you’ve heard that the most important thing a writer needs to make it in the modern lit world is luck. Undoubtedly, there’s a lot of truth to that, but what if there’s another factor that has a bigger impact on a writer’s success? Sean McElwee argues for the importance of something more prosaic.
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