The Guardian has a beautiful multimedia feature in celebration of John le Carré‘s new memoir, The Pigeon Tunnel, including an exclusive excerpt, original notes from the author’s archives, and readings of his novels by Rachel Weisz, Tom Hiddleston, Damien Lewis et al. Read also: our own Emily St. John Mandel on using le Carré for literary cover.
Out this week: The Burning Girl by Claire Messud; The Hidden Light of Northern Fires by Daren Wang; My Absolute Darling by Gabriel Tallent; To Die in Spring by Ralf Rothmann; and All the Dirty Parts by Daniel Handler. For more on these and other new titles, go read our most recent book preview.
Lindsey Drager considers the novella and argues that it is neither a feminine form nor a smaller type of novel. As she puts it, “while other fiction aims outward, the novella curls in, coiling around itself until there’s no distinction between the story’s body and the story’s shell.” Pair with our own Nick Ripatrazone’s essay on the art of the novella.
“Skipping or skimming parts of a narrative should not only be expected but encouraged, particularly if an author is writing without clarity or purpose or showing off. Life’s too short to slog through some smarty-pants attempt to demonstrate a mastery of mechanical engineering or botany.” Adam Kirsch and Anna Holmes face off for The New York Times Bookends column about whether there are right and wrong ways to read a book.