“I took my son to Paris fashion week, and all I got was a profound understanding of who he is, what he wants to do with his life, and how it feels to watch a grown man stride down a runway wearing shaggy yellow Muppet pants.” Michael Chabon writes a beautiful piece for GQ about going couturing with his son, Abraham. Pair with yesterday’s essay by R. J. Hernández on fashion in literary fiction.
Runways for Days
In Thrall of Print Mathematics
Former nytimes.com design director Khoi Vinh tries to renew his digital subscription to the paper, and it doesn't go well: "The total customer experience here is haphazard at best, and, at worst — I hate to say this because I am still friendly with many people at the company, but in truth there’s no way around it — it’s insulting."
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Only Connect
Recommended Reading: Anything that Vivian Gornick writes. Here's an essay from The New York Times on how literature ages and rereading E.M. Forster's Howard's End. Our own Lydia Keisling also wrote a fantastic piece on the Forster classic.
From Kerouac to Brando
"Dear Marlon, I’m praying that you’ll buy ON THE ROAD and make a movie of it….You play Dean and I’ll play Sal... I'll show you how Dean acts in real life, you couldnt possibly imagine it without seeing a good imitation..." From a letter from Jack Kerouac to Marlon Brando. (via The Rumpus)
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The Morning News Tournament of Books
Emma Straub declares Julian Barnes's Sense of an Ending fitter than Donald Ray Pollock's The Devil All the Time in the opening round of The Morning News Tournament of Books.
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We’ve All Been There
Writing for 300 Reviews, a platform which aims “to find a home for criticism of subjects that are neglected in traditional venues,” Level End author and Tuscaloosa Runs This editor Brian Oliu explains a Southern rite of passage: Taking Someone to Waffle House After the Bars Close.
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Type Setting
In a clip The Atlantic calls “technology porn for book lovers,” you can see how manuscripts became books in the 1940s.
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