“[I]t becomes an act of subversion, an act of catharsis.” Plougshares has a piece about the Lolita aesthetic on Tumblr. See also: our conversation with John Gall who, as art director for Vintage and Anchor books, was responsible for at least two Lolita covers, not to mention the redesign of the entire Nabokov catalog.
Reading Lolita on Tumblr
Happy Days
In the late fifties, an old flame of Samuel Beckett, Ethna MacCarthy, fell ill and died of throat cancer in Dublin. Around this time, female voices began to enter Beckett’s work, which up until that point had featured almost exclusively male characters. Was there a connection? In a review of a new edition of Beckett’s letters, Fintan O’Toole suggests that there was. You could also read Elizabeth Winkler on the author’s bilingual oeuvre.
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Economics of the E-Book
The Wall Street Journal reports how literary authors are feeling the pinch in the age of e-books: “The upshot: From an e-book sale, an author makes a little more than half what he or she makes from a hardcover sale.”
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A Truly Author-itative Map
Geoff Sawers has designed maps detailing the rich literary landscapes of the United States, England, and Wales.
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A Bimbo, A Gold Digger, and a Fat Pig Walk Into a Bar
“The faceoff with the Tomato would be mental, not physical. He’d accuse her of being on the rag, a bimbo, a gold digger, a fat pig.” A Trump-inspired short story by Year in Reading alumna Darcey Steinke.
Never Say Never
We are all Beliebers: the London Review of Books reviews The Love Song of Jonny Valentine, whose author, Teddy Wayne, told us last month that “it misses the point to discard fiction simply because it’s about social media or the celebrity-gossip machine and not Iraq or divorce.”
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Shirley Jackson in the Woods
The New Yorker has published another recently discovered Shirley Jackson short story “The Man in the Woods,” a fairy tale that takes on some classic mythology. According to her son, it’s one of many new stories found in her archives, and we can expect a new collection next year. “What was surprising to us was not that she was so prolific and had left behind so much unseen work but, rather, the quality of that work,” Laurence Jackson Hyman said.
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