This year’s Nobel in literature will be announced in early October, so there’s still plenty of time to get in on the gambling! Currently leading in all the over/unders? Haruki Murakami, whose book covers we considered here.
“At first I had three [children], because I think we need to be outnumbered. It’s good for them. That was my plan when I had three children.” Sit down with Karl Ove Knausgaard as he drives his daughter home. Jonathan Callahan reflects on how Knausgaard’s writing consumes him.
As part of his research for his recent treatise on office life, Cubed, n + 1 editor Nikil Saval looked back on his own years in an open office. In an interview with Sara Scribner, he talks about his growing awareness that it wasn’t good for his health: “It was sociable in some good senses, but also mostly not a pleasant place to be.”
Riffing on R&B singer Ernie K-Doe’s one-time statement, Chris Rose writes in the Oxford American, “I’m almost positive that all music, at least all American music, comes from Louisiana.” The essay appears in this year’s OA Southern Music Issue, a reliably excellent source of tunes and writing. Indeed, as Dwight Garner put it in The New York Times, the CDs that accompany each annual issue “practically belong in the Smithsonian.”
Does a writer need a devoted spouse to be prolific? At The Atlantic, Koa Beck examines the concept of having a do-it-all partner like Vera Nabokov and if this traditional gender role only harms female writers. Koa interviews various writers, from Emma Straub to Ayelet Waldman, on how their literary partnerships work. “I’d fantasized that being his Vera was a way for me to deal with being stuck as a stay-at-home mom—I’d subsume my own ambitions into something ‘greater!’ But that lasted about 48 hours,” Waldman said.