“So Be It! See To It!” So you may have already seen this on the literary internet earlier this year, but today’s Friday, and we needed a little infusion of life: enter Octavia Butler‘s amazingly awesome note to self (via the also amazing and awesome Rose Eveleth).
Our New Mantra
Eaten Whales
Apropos of nothing in particular, here’s a fantastic cake inspired by Moby-Dick. Apropos of whales in general, however, is this beautiful video on the disintegration of a whale carcass inspired by “Radiolab.”
And So It Goes
Before he died, Kurt Vonnegut gave the go-ahead that has allowed Charles Shields to construct And So It Goes, an incisive, gossipy page-turner of a biography, even if it’s hard to tell just how authorized this book really is.
Motherhood: Another Form of Queerness
“Motherhood remains more of a choice for some than others, and yet our varying degrees of agency are rarely acknowledged by the mainstream narrative upheld by the vast majority of what has (disparagingly) been referred to as ‘mommy lit’.” An essay in Buzzfeed about pregnancy, queerness, and three upcoming memoirs about motherhood (and non-motherhood). Pair with: an essay about motherhood as muse.
The Trouble with Explainers, with Making Things Smaller
“There’s much to be commended in the work done by FiveThirtyEight, or even Vox,” writes Millions contributor Brian Ted Jones. “But making problems seem smaller then they are is a harm that outweighs all the good.” He goes on to tie together the rise of “explainer” sites, the problem with “hashtag activism,” and also references to Louis C.K., Teju Cole, and Leslie Jamison.
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Spying with Mountain Chicken Mother of the Buddha
Recommended Reading: Anya Groner’s short story “Suspecting the Smiths” at The Oxford American. “From the ages of nine to eleven, I worked as a spy… I discussed my cases with my partner, who went by code name Mountain Chicken Mother of the Buddha.”
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In/Out
“This question of presence seems crucial to Tillman’s project. Her position in a text is tricky—she operates both inside and outside of it, which allows her to thwart distanced critical authority and also perform the aesthetic slippages she admires in others’ work.” On Lynne Tillman’s new story collection.
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