Thriller writer James Patterson was set to publish a novel in November about an attempt on his author colleague Stephen King‘s life, subtly titled The Murder of Stephen King. Following reports of real-life threats against King, however, the book has been scuttled. After you’ve read that tale of high dudgeon, see also our editor-in-chief Lydia Kiesling’s essay, “Everything I Know About America I Learned from Stephen King.”
Oops Never Mind
James Salter on MH370
Well, this was unexpected. James Salter draws on his wartime flight experience to write a brief post about Flight MH370 for The New Yorker.
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Rear Window Through One Window
Jeff Desom created a stunning time-lapse composite of Alfred Hitchcock's classic film Rear Window in which you can see the events unfold chronologically from a single vantage point. More details on how Desom did it can be found on his website.
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You’ll Never Believe What Happens Next
If you’re looking for some great poetry, check out these classic poems that will change your life, from Robert Frost’s “This Man Stops By Woods On a Snowy Eve… You Won’t Believe What Happens Next!” to Gwendolyn Brooks’s “We Real Cool… and You Can Be Too After These 5 Easy Tricks.” Pair with this Millions piece on poetry for people who hate poetry.
Hungry for Something New
Hari Kunzru wonders whether the recent surge of attention for Hungarian novelist László Krasznahorkai makes him the latest talisman for the young New York literary elite. Regardless, it's worth revisiting Paul Morton's interview with Krasznahorkai and Adam Z. Levy's review of his latest novel, Sátántangó.
Out West
“At the outset, Nair is in Sierra Leone to keep tabs on his old friend and uses the occasion to practice a little freelance extortion, stealing unspecified multinational secrets on a flash drive and sending them back to his girlfriend in Amsterdam. The first 50 pages are like a Johnsonian take on Graham Greene’s humid morality-play potboilers. Nair keeps meeting shifty European acquaintances and distrusting everything they say.” John Lingan reviews Denis Johnson’s new novel.
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