Director Ava Duvernay has found the lead for her film adaptation of A Wrinkle in Time. Thirteen-year-old Storm Reid will play the lead role of the character Meg Murry, joining a cast that includes Mindy Kaling, Oprah Winfrey, Reese Witherspoon.
Miss Whatsit
Quick Reads
Recommended Reading: Carl Wilson on short books and “too long; didn’t read” syndrome.
Some links: Penguin Podcast, Lawyers on Google Print, Chicago Literature
Penguin Books UK has started a podcast. I’ve added it to my Literary Podcasts post. (via)Law blog Groklaw has a good post explaining the Google Print project and the controversy surrounding it, and Lawrence Lessig has news of a program coming up at the New York Public Library on November 17 called “The Battle Over Books: Authors and Publishers Take on the Google Print Project.”Golden Rule Jones has a list of this year’s Chicago fiction, and at Pete Lit, Pete tells us about Chicago Noir, a collection edited by Neal Pollock with stories by Adam Langer, Kevin Guilfoile and others.
Perennial Errata
The New York Times issues a correction note for something they’ve been messing up for 25 years.
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Tuesday New Release Day: Phillips, Tillman, Bender
Probably the biggest literary debut the week is Arthur Phillips’ The Tragedy of Arthur, a faux memoir about the surfacing of a long-lost Shakespeare play. Also out this week is the first book from former Soft Skull head Richard Nash’s new venture Red Lemonade: Lynne Tillman’s Someday This Will Be Funny. And, finally, now out in paperback is Aimee Bender’s The Particular Sadness of Lemon Cake. (Our two reviews)
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For Your Delectation
Today’s edition of Book Reviews Worth Reading: Kathryn Schulz‘s first official outing as the book critic for New York Magazine (on the late Anthony Shadid‘s House of Stone) and Anti-Matter author Ben Jeffery‘s take on Houellebecq’s The Map and the Territory. (While you’re at it, you might as well read Elaine Blair nailing Houellebecq at the NYRB (in the second-best possible way)…or our own Bill Morris‘ défense.
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Rabbit Run
“[C]hildren often prefer the factual over the fantastical. And a growing body of work suggests that when it comes to storybooks, they also learn better from stories that are realistic. For example, preschool-aged children are more likely to learn new facts about animals when the animals are portrayed realistically as opposed to anthropomorphically.” Two new studies suggest that where learning is concerned, realism trumps fantasy in children’s books. Which is as good a time as any to ask our own Jacob Lambert‘s question: Are picture books leading our children astray?
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