“To some degree, as I move outside of the exclusive genre audience, the exclusive genre issues don’t bother me as much.” The Atlantic talks with N.K. Jemisin, the first black writer to win speculative fiction’s Hugo Award for Best Novel for The Fifth Season. We wrote about Jemisin’s work when she was nominated for the Hugos a few years back.
Making History at the Hugos
Tuesday New Release Day
A week after it wins the Booker, Hilary Mantel’s Wolf Hall is now on American shelves. Jonathan Lethem’s newest Chronic City comes out today. Dave Eggers’ novelization of a movie based on a children’s book, Wild Things is out in standard and special fur-covered editions. A Lydia Davis-translated French “masterpiece” is out today from NYRB Classics.
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#1000BlackGirlBooks
If you haven’t heard about Marley Dias, you have now. She has launched the #1000BlackGirlBooks book drive to collect one thousand books with black girls as the protagonists, which will be donated to a library in St. Mary, Jamaica. Did I mention that she’s eleven years old?
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Oops Never Mind
Thriller writer James Patterson was set to publish a novel in November about an attempt on his author colleague Stephen King‘s life, subtly titled The Murder of Stephen King. Following reports of real-life threats against King, however, the book has been scuttled. After you’ve read that tale of high dudgeon, see also our editor-in-chief Lydia Kiesling’s essay, “Everything I Know About America I Learned from Stephen King.”
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Digital Death
“In its clumsy, ad hoc way, Facebook has brought death back into the public sphere in a way death hasn’t been for more than 100 years.” To celebrate Facebook’s 10th birthday, The Missouri Review has unlocked its Alexander Landfair essay on how we deal with death on Facebook. For another look at Facebook, read our essay on how the timeline changes the way we tell stories.
On Blackness
Over at the Literary Hub, Morgan Jerkins writes about the struggle to describe blackness. As she puts it, “My hope is to create imperfect, multitudinous black women who are more in tune with themselves than their audiences.” Pair with our own Michael Bourne’s list of books that “shed light on the history and evolution of racism in America.”
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