“To some degree, as I move outside of the exclusive genre audience, the exclusive genre issues don’t bother me as much.” The Atlantic talks with N.K. Jemisin, the first black writer to win speculative fiction’s Hugo Award for Best Novel for The Fifth Season. We wrote about Jemisin’s work when she was nominated for the Hugos a few years back.
George Washington as you’ve never seen him before: First, a cartoon entitled “Cox and Combs” and second, a live action avant garde take on the founding father.
“To the list of differences between men and women, we can add one more: the drug-dose gender gap. Doctors and researchers increasingly understand that there can be striking variations in the way men and women respond to drugs, many of which are tested almost exclusively on males.” On the strikingly persistent gender gap in pain.
“James Schiff, an associate professor of English at the University of Cincinnati, is working on a volume of Updike’s letters and has unearthed thousands of letters, postcards, and notes the author sent to complete strangers who wrote to him.” The Guardian writes about an in-progress book of John Updike‘s letters that reveals how often the writer corresponded with not only his contemporaries, like John Barth and Joyce Carol Oates, but his readers as well. See also: an essay about the personal and literary relationship between Barth and Updike.
Fans of Arundhati Roy are celebrating at the news that the author will publish a new novel, her first in 20 years, reports Electric Literature; The Ministry of Utmost Unhappiness is scheduled for release in 2017. Our own Garth Risk Hallberg maaaaay have poked a bit of fun a few years back at the title of Roy’s first novel, The God of Small Things, but that was all in good fun.
What’s the one question you should never ask a writer starting a new book: how’s the writing going? “Nothing can damage a novel in embryo as quickly and effectively as trying to describe it before it’s ready,” Mark Slouka writes. Follow his advice for how to keep your writer friends.
“We connect with books in an intellectual way, but the most valuable relationships we have with them are emotional; to say that you merely admire or respect a book is, on some level, to insult it. Feelings are so fundamental to literary life that it can be hard to imagine a way of relating to literature that doesn’t involve loving it. Without all those emotions, what would reading be?” Joshua Rothman on “The History of ‘Loving’ to Read.”