“To some degree, as I move outside of the exclusive genre audience, the exclusive genre issues don’t bother me as much.” The Atlantic talks with N.K. Jemisin, the first black writer to win speculative fiction’s Hugo Award for Best Novel for The Fifth Season. We wrote about Jemisin’s work when she was nominated for the Hugos a few years back.
Ultra-bestselling author Danielle Steel went off recently about something that’s been bothering her for ages. “I think some people are threatened if one is enterprising or has many/varied interests,” she writes. In particular, “it’s about men who don’t like women getting out there, doing something new or innovative and accomplishing something.”
Growing up in California, our own Michael Bourne didn’t have a full sense of his own privilege until 1981, when a chance encounter with a group of teenagers dressed up as skeletons woke him up to the realities of segregation in America. In a long essay for Orange Coast Review, he goes over the meaning of that incident, complete with meditations on Marin County, his abandoned early novel and his family’s history in Danville, Virginia. Pair with: Michael’s piece for The Millions on Tess Taylor’s The Forage House.
Out this week: The Throwback Special by Chris Bachelder; Burning Down the House by Jane Mendelsohn; Stork Mountain by Miroslav Penkov; Shelter by Jung Yun; Margaret the First by Danielle Dutton; and The North Water by Ian McGuire. For more on these and other new titles, go read our Great 2016 Book Preview.
“Sometimes I think I’ve lost my nerve a little bit. I think it’s growing older, and a certain reservoir of anger literally runs out.” The Guardian interviews James Wood, author and book critic at The New Yorker, about his craft, his forthcoming novel Upstate, and the landscape of today’s literary criticism. Pair with: an essay about the greatness (and great influence) of Wood on a fellow novelist.