“The Boardwalk’s kitsch, the kitsch of Trump’s former properties along the Boardwalk, merely reinforce how retro a mogul the candidate is: a throwback who doesn’t care he’s a throwback, who’s barely aware he is, dressed to impress in a padded Brioni suit and a tie with a scrotum-sized knot.” Novelist Joshua Cohen takes one last trip (maybe?) to the Atlantic City of his youth for n+1. Related: Turns out Cohen’s not the only novelist who’s worked as a casino dealer.
This week in Fascinating Archive Picks: The New Statesman dug up a Philip Larkin essay from 1962. Kicking off with an eccentric fantasy of hearing Shakespeare’s voice on vinyl, the essay delves into the importance attached to a poet’s voice, which impels Larkin to regret that early record producers didn’t think to record Thomas Hardy. Related: Leah Falk on reading poems aloud.
A tipster has pointed us to a mention of what seems to be a new Dave Eggers novel on the back cover of a catalog from a Dutch publisher. the title translates loosely to A Hologram for the King. A description from a Dutch bookselling site (again translated poorly by Google Translate) suggest that the book will follow an American in Saudi Arabia where he tries to sell holographic technology to King Abdullah. We’ve seen no other mentions of this book anywhere, and so far McSweeney’s hasn’t responded to our questions. Anyone out there know more?
We recently published our review of Haruki Murakami’s latest novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage. Now comes news that yet another Murkami book will be hitting shores before the year is out. The Strange Library, already available for pre-order, is 96 pages long, will ship in December, and will include “full-color art throughout in a lavish volume designed by Chip Kidd.”
Like YA novels? Harbor a certain affection for the book publishing arm of McSweeney’s? Then you’re the prime audience for this excerpt of The Mermaid in Chelsea Creek, Michelle Tea’s contribution to the publisher’s new Mullens imprint. (Naturally, it’s the first in a trilogy.)
Happy(ish) birthday, Gregor Samsa! Here’s a piece from NPR commemorating the 100th anniversary of the publication of Franz Kafka’s masterpiece, The Metamorphosis. Kafka insisted that the story’s insect should never be drawn, but of course Vladimir Nabokov had his own ideas about that. To round out the Kafka news, here’s a review from The Millions of Reiner Stach’s Kafka: The Decisive Years.