“Every sense cleared about three hundred percent and stood up on its hind legs waving its feelers.” Eighty years ago, James Agee got an assignment that entered him into history, though not during his lifetime. Let us now celebrate Let Us Now Praise Famous Men. See also: our essay on famous artist-writer collaborations, like Agee’s with Walker Evans.
Let Us Praise James Agee
Appearing Elsewhere
This Thursday, at Housing Works Bookstore in New York, Garth will represent The Millions in a live quiz show called (accurately) Don’t Know Much About Literature. Kenneth C. and Jenny Davis, authors of DKMAL, the book, will host. Co-contestants include Jason Boog of Galleycat, Ed Champion of Reluctant Habits, Jason Toal of HTML GIANT, Catherine Lacey, and Buzz Poole of Mark Batty Publisher. We’re told buzzers and beer are in the offing, and that second round contestants “include you!” We’d love to see you there.
Getting You Back on Your Feet
If you get bored on your daily commute, you might want to look at Derive, an app that generates random routes that give you new perspectives on your city. As The Common founder (and Millions contributor) Jennifer Acker puts it: “Let the French show you how to walk.”
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Hemingway Hijinks
Just in case you didn’t know, Mallory Ortberg gives you ways to tell if you’re in a Hemingway novel at The Toast. “Everyone you know respects you. This disgusts you.”
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“Writers all need Vera.”
Does a writer need a devoted spouse to be prolific? At The Atlantic, Koa Beck examines the concept of having a do-it-all partner like Vera Nabokov and if this traditional gender role only harms female writers. Koa interviews various writers, from Emma Straub to Ayelet Waldman, on how their literary partnerships work. “I’d fantasized that being his Vera was a way for me to deal with being stuck as a stay-at-home mom—I’d subsume my own ambitions into something ‘greater!’ But that lasted about 48 hours,” Waldman said.
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Kathleen Alcott on the Writing Life
At the Rumpus, Kathleen Alcott provides a poignant recollection of what she inherited as a writer from her father: “And is it worth it? Was it for my father, is it for me, for nearly every writer I’ve met, whose default answer is ‘Yes’?”
Art of Seduction
Last week, Erin Fortenberry reviewed Walter Kirn’s Blood Will Out for The Millions, writing that the events in the book were partly centered on Kirn himself. Now, in the Times, Janet Maslin reads the book, which struck her as “primarily a tale of seduction.”
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Koestler the Dangerous Intellectual
The Times Literary Supplement profiles Darkness at Noon author Arthur Koestler as an iconic “Dangerous Intellectual”: “‘My analysis … is: one third genius, one third blackguard and one third lunatic …’”
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