“For example, I don’t feel that catharsis in a play necessarily takes place during the course of a play. Often it should take place afterward.” The Paris Review offers a manuscript page from playwright Edward Albee, who died this past weekend. See also: this amazing piece of lore behind the titling of Who’s Afraid of Virginia Woolf.
The Table 4 Writers Foundation, which was established in the honor of Elaine Kaufman, will award $2,000 grants for never-before-published works of fiction and non-fiction. The deadline for submissions is October 15. (h/t Bill Morris, who has written about the foundation and grant program before.)
“Bertelsmann’s 7% decline in 2016 revenue was due entirely to a drop in sales at Penguin Random House. The lack of a big new bestseller hurt results at the company, and it divested some smaller divisions in the year.” For those interested in inside baseball, Publishers Weekly takes a look at how the world’s 50 largest publishers are faring. (TL;dr: Although their total revenue topped $50 billion, more than half of the list’s publishers reported sales declines – oh, and Harry Potter still really, really sells). As a counterpoint to all that capitalism, read our own Edan Lepucki‘s survey of self-published authors.
I know, I know – another piece about “the canon.” This one, however, is sure to elicit a response one way or another. A sampling: “There are few (arguably no) female poets writing in Chaucer’s time who rival Chaucer in wit, transgressiveness, texture, or psychological insight. The lack of equal opportunity was a tremendous injustice stemming from oppressive social norms, but we can’t reverse it by willing brilliant female wordsmiths into the past. Same goes for people of color in Wordsworth’s day, or openly queer people in Pope’s, or …”