“For example, I don’t feel that catharsis in a play necessarily takes place during the course of a play. Often it should take place afterward.” The Paris Review offers a manuscript page from playwright Edward Albee, who died this past weekend. See also: this amazing piece of lore behind the titling of Who’s Afraid of Virginia Woolf.
In Memoriam, Edward Albee
Reading The Power in 2017
Buzzfeed interviews Naomi Alderman author of The Power, a 2016 book receiving heightened attention this year for its timely feminist premise. “In the book, women develop the ability to electrocute people at will, and as the dynamic between the genders shifts after centuries of oppression, women (finally) begin to take control back from men.” Why all the newfound attention? Alderman believes that it’s due to the subject matter and it being released in the States. ‘It’s only just been published in America and some American reviewers have responded to it as if it was written in response to Donald Trump, but in fact no, it was written before that. I think some of the things in the world have not changed and that is why you can mistake it for having been written yesterday.’ But she adds: ‘I think actually one thing that has really changed is that women are really fucking angry.'”
Appearing Elsewhere
The spiffy new Los Angeles Review of Books website has posted my review of Ben Fountain’s new novel, Billy Lynn’s Long Halftime Walk.
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No Lie
“One lie I tell is that we care, generally—human beings—about each other. We could not, I tell myself in the moments just before the night’s dark hour, create The Odyssey or King Lear or Thomas and Beulah without a profound sense of The Other. Surely, were it true this thing’s a joke, nothing more, and a cruel one at that, we’d have no Dickinson, no Yeats, no freakin’ Rumi, read by Bly, loud on an old tape deck while I shower.” Pablo Tanguay on the art of lying.
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Rich Reading
At a loss for what to read? Goldman Sachs has released their reading list. “We’re talking about people who incurred $550 million in fines for schemes to turn a profit on the civilization-threatening financial crisis they themselves had helped create, and the line between genius and chutzpah is notoriously hard to draw, so, yeah, I’d like to know what’s on these folks’ bedside tables.” Our own Hannah Gersen wrote about Occupy Wall Street and Bartleby, the Scrivener.
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In Brief
Leave it to the Paris Review to come up with this amazing contest: send them your “most self-seriously bookish” photo for a chance to win a Frank Clegg briefcase.
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