“I have the impression that the shelves of new releases in US bookstores are becoming more globalized. They’re still not as international as those in bookstores in Rome or Paris or Mexico City or Buenos Aires, where there is a much higher percentage of books in translation. But I think works in translation are becoming much more visible.” Mexican author Álvaro Enrigue contends that trends in publishing mean we’ll enjoy ever-increasing bounties of translated work. See also: translator Alison Anderson on “Ferrante Fever” and what a great translation adds to the original work.
Harper Lee, the Pulitzer Prize-winning author of To Kill a Mockingbird and Go Set a Watchman, died this morning in Monroeville, Alabama at the age of 89. Lee won the Pulitzer Prize in 1961 for Mockingbird, which later formed the basis of a film starring Gregory Peck. To learn more about her legacy, you could read our own Michael Bourne on the hidden character of Atticus Finch, or else read Robert Rea on a pilgrimage he took to her home.
A while back, I noted that Moleskine was preparing an initial public offering on the Italian stock exchange. Well, now the time has come. On April 3, you will be allowed to buy shares of the notebook company (and perhaps keep records of them within your Moleskine). If you’re interested, you might want to read up on the company’s history – and also on how to pronounce its name.
It seems slightly incredible that anyone doesn’t know who Stephen King is, but sometimes “it’s precisely those whom we imagine we know, in broad stereotypical terms, who require introductions,” as Joyce Carol Oates put it. Luckily, The Oyster Review has provided a handy reader’s guide to Stephen King, covering his works from Carrie to On Writing.
Philip Roth may have retired, but that doesn’t mean he’s done giving interviews. The author recently sat down with the editor of a Swedish newspaper, who talked with him about misogyny, Sabbath’s Theater and the need for “obstinacy” in a writer. (Related: our own Hannah Gersen reviewed Roth Unbound.) (h/t The Paris Review)