“Where does the line between the self-portrait and the selfie fall? Both Kardashian West and Kahlo are masters of the form—suggesting that perhaps there is no clear line at all.” Anyone who puts Frida and Kim together in an essay, as Sarah Murray has for The Rumpus, has our full and enthusiastic support. Also relevant: Alizah Salario‘s piece about the naming of North West.
Out this week: Barkskins by Annie Proulx; Sons and Daughters of Ease and Plenty by Ramona Ausubel; I’m Just a Person by Tig Notaro; The Course of Love by Alain de Botton; and The Girls by Emma Cline (which we reviewed). For more on these and other new titles, go read our Great 2016 Book Preview.
Azar Nafisi thinks the best way to pin down a culture is to take a look at its canonical works of literature. In The Republic of Imagination, as Adam Begley details in a review in the Times Literary Supplement, she examines a few of America’s classic novels, including Babbitt, Huck Finn and The Heart is a Lonely Hunter. You could also read Jonathan Russell Clark’s review of the book for The Millions.
“Her poems shimmer most when they reflect on the yearning to rebel against the constrained space granted to women’s voices in literature and life.” On her 126th birthday, The Guardian argues that Edna St. Vincent Millay‘s poetry — not her reputation — should be remembered and celebrated. Pair with: an essay on being an uneasy, untamed women writer.