As part of his ongoing campaign to atone for his sin of helping Trump, ghostwriter Tony Schwartz is consulting for the Clinton campaign. And dear god if ever we’ve wished a writer well, it’s now.
Are You There God
Fatal
As titles go, it’s hard to get more straightforward than England and Other Stories, the new collection by Graham Swift. In the Times, Michiko Kakutani provides her verdict, lauding Swift for his ability to paint “vistas as panoramic as those in the stories of Alice Munro.”
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How to read the New Yorker this summer
Starting today and lasting until the end of the summer, The New Yorker is completely free online, including archives back to 2007. What to read? To start off, try searching the fiction page for, say, George Saunders. There’s that famous Lawrence Wright piece on Scientology. Or feel free to consult the magazine’s own roundup. But I happen to be most impressed by this grandaddy of all longform articles on six survivors of Hiroshima (subscription required).
A Mummy Love Story
The great singer-songwriter Josh Ritter is on tour with Scott Hutchison of Frightened Rabbit. In honor of that, here’s puppet master Liam Hurley‘s video for Josh Ritter’s beautiful ballad “The Curse,” a song about a mummy falling in love with the archeologist who discovers him.
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Tim Burton’s Rejection Letter
Letters of Note posts the rejection letter aspiring artist Tim Burton received in 1976 (when he was 18) for his children’s book, “The Giant Zlig,” that he sent to Walt Disney in hopes that they would publish it.
“QB or not QB”
Is Rick Reilly’s poem about Tim Tebow so terrible that it could’ve sent “a shockwave through time, producing reverberations before it ever happen[ed]?” Matt Ufford thinks so.
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Meet Ms. Marvel
In an effort to diversify the comics industry, Marvel’s latest superhero isn’t another white man in a cape but a teenage Muslim girl living in Jersey City. Kamala Khan, alias Ms. Marvel, can change shape and will fight villains and her parents’ expectations when the series debuts in February. Pair with: Matt Madden’s history of American comics in six panels.