“For a woman to be a flâneuse, first and foremost, she’s got to be a walker – someone who gets to know the city by wandering its streets, investigating its dark corners, peering behind façades, penetrating into secret courtyards. Virginia Woolf called it ‘street haunting’ in an essay by that name: sailing out into a winter evening, surrounded by the ‘champagne brightness of the air and the sociability of the streets,’ we leave the things that define us at home, and become ‘part of that vast republican army of anonymous trampers.’” On the female flâneur. Also check out this Millions essay about the flâneur in modern fiction.
"I do not find it unusual that many writers I know acquire vintage clothes, buy old homes, and rescue animals. For one, we don’t have Wall Street salaries, and secondly, we’re suckers for backstory, particularly that which is left to the imagination. Our job, after all, is to make up lives, engage in epic games of pretend." Megan Mayhew Bergman writes for Ploughshares about collecting cast-off objects, "the chaos of memories," and becoming a writer. Pair with David L. Ulin's reflection on Bergman's essay and the way we think about memory, written for the LA Times.
Patrick Reardon looks at 1001 Books You Must Read Before You Die for the Chicago Tribune, and decides he wants to add his own favorites. Check out his eclectic list at the end of the piece. (thanks Steve)Maud mentioned off-hand that she abandons 95% of the books she starts before page 50. Sandra posted that this was "quite a failure rate," and Maud responds in the comments that in this case she was "pining for a very specific kind of manic reading experience that happens for me maybe ten times a year now rather than every few days, as it did when I was a child."Dogbert writes a book: "It's part fake autobiography and part plagiarism" (via H2O)Pinky is about to start an MFA program at Pitt. The reading list looks excellent.Harper Lee will have an item in O of all places. According to the AP story, "a letter for Oprah Winfrey's magazine on how she became a reader as a child in a rural, Depression-era Alabama town." It's for the July "special summer reading issue."
"I am uncomfortable in my role as witness." Nehal El-Hadi writes for The New Inquiry about the online spectacle of black death, exploring what "Black thanatosensitive" user experience design might look like. And ICYMI: our own Ismail Muhammad on Frank Ocean and depictions of the black male body.
You can lose entire days while researching the Voynich Manuscript on the Internet, so maybe you should begin with this overview of the matter – one that asks whether or not the entire thing is just a big hoax.