“Let the buppie and the arts section go to hell: Swiss Army Man is a film by which critics ought to judge ourselves. We have seen this movie before, in our dreams, when we were children. Its extraordinary contact with our oldest forms of storytelling seems to have rendered it an unintelligible novelty, but if we can’t see how gracefully everything in it matters to everything else in it — plot to character development to dialogue to music to art direction to setting to acting to cinematography — then there’s something wrong with us.” Daniel Radcliffe stars as a semi-animate, gas-filled corpse with amnesia in Swiss Army Man — a movie about farts. But what else is it about?
"Creating a unique package for a book is really about making potential readers see the book as a singular thing in a sea of sameness. Something that has a soul." Jason Booher talks with Slate Book Review about the process of designing book covers in general and the cover of Forensic Songs, dubbed "the most awesome book cover of the summer," in particular.
Over at The New Yorker, Roa Lynn recalls going to Pablo Neruda’s home and getting him to write her a poem: “Would he read a few of the poems that I had brought with me? To my delight, he said that after lunch he would take his customary nap and after that he would read our poems. If he liked them, he would write something for our book.” Pair with this Millions essay about Neruda’s house in Isla Negra.
Deeply saddened to hear news that Jake Adam York died today. York published three critically acclaimed poetry collections between 2005 and 2010: Murder Ballads, A Murmuration of Starlings, and Persons Unknown as well as an additional work of literary history The Architecture of Address. Much of his work is available online as well, such as his poems "Vigil" and "Self-Portrait as Superman." Edit: The Kenyon Review has uploaded three recordings of York reading his poetry. These are highly recommended as well.
Aimee Bender, Year in Reading alum and author of, most recently, The Color Master, writes for The New York Times about the structural genius of Goodnight Moon: "[The story] does two things right away: It sets up a world and then it subverts its own rules even as it follows them."