“Thinking about his films while watching an American film leads to a sobering realization: all the things that Abbas Kiarostami could not show in his films became the only things Hollywood filmmakers chose to show in theirs. What he showed in his films were the things abandoned by Hollywood: conversation, friendship, understanding, compassion, and empathy.” A. S. Hamrah discusses Abbas Kiarostami’s legacy at n+1.
What He Showed
Contemporary Arabic Novels
Claudia Roth Pierpont writes about the contemporary Arabic novel in this week’s New Yorker, highlighting Iraqi, Palestinian, and Egyptian examples.
“Other creative uses for my fuzzy matter”
Unfamiliar Fishes author Sarah Vowell steps up to bat for this month’s Believer advice column, Sedaratives. She fields questions concerning librarian crushes and dryer lint.
A digressive and beautifully written announcement.
“Maybe everything is an organized mess at high speed”: in one of the more deeply buried leads in history, Brad Listi announces The Nervous Breakdown‘s new publishing imprint. And yes, I could just send you to the official press release, but I loved this piece.
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New Margaret Atwood Coming in September
MaddAddam, the third book in Margaret Atwood’s trilogy that began with Oryx and Crake and The Year of the Flood will be out in the U.S. in September. Bonus: the cover of the book’s Australian edition.
The Commitment-phobe’s Genre
The essay is more than just a literary genre but a lifestyle, and it’s dominating American society, Christy Wampole argues. “The genre and its spirit provide an alternative to the dogmatic thinking that dominates much of social and political life in contemporary America,” she writes.
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