Head over to The Literary Hub and take a look at this excerpt from Svetlana Alexievich’s newest book, Second-Hand Time, which has been called a “history of emotions” chronicling the demise of Soviet communism. While you’re at it, take a look at this Millions profile/interview with Alexievich from earlier this summer.
BuzzFeed is launching an Emerging Writer's Fellowship, complete with $12,000 stipend, and Saeed Jones, whose poetry collection Prelude to Bruise was released last year, will be their new Literary Editor. Electric Literature talked to Jones about digital journalism, the need for diversity in writing and publishing, and what he's looking for in Fellowship applicants.
"There are so many ways to look at translation. One that has recently occurred to me is that of a tether: the translator is tethered to the meaning of the original the way an animal can be tethered to a stake. You can’t take off and roam the hills, but you can definitely move around and experience a comfortable degree of freedom." Asymptote talks with Juliet Winters Carpenter about Japanese tanka poetry, Machi Tawara's Salad Anniversary, and the careful balance of translation.
Chimamanda Ngozi Adichie is almost as famous for being sampled on Beyoncé's latest album as she is for her novel Americanah. With that in mind, she discussed her writing process, hair blogs, and what feminism means to her in Elle. "It means that I am present in the world, and that I realize that there is a problem with the way we’ve constructed gender," she said. For more Adichie, read her 2013 Year in Reading post.
In 1998, Matthew Stokoe kicked off his career as a novelist with Cows, a stomach-turning book set largely in the confines of a slaughterhouse. Now, Stokoe has written a book with a somewhat ironic title, considering it dials down the obscenity in comparison to his early work. Drew Smith interviews the author over at Full-Stop.