Who knew? Here’s a handy infographic from Electric Literature that highlights seventeen films you probably didn’t know were based off of books.
April Bernard is not a fan of Writers’ Houses because she does not believe the “private life, even of the dead, is ours to plunder.” Earlier this year, our own Luke Epplin also noted some of the limitations of Writers’ Houses.
“The most, the best, we can do, we believe (wanting to give evidence of love), is to get out of the way, leave space around whomever or whatever it is.” This excerpt from John Cage’s journals, forthcoming as Diary: How to Improve the World (You Will Only Make Matters Worse), is as baffling as it is beautiful.
This week, New Directions offers up a collection that may offer some context to the Roberto Bolaño oeuvre. As the catalog copy suggests, “Between Parentheses collects most of the newspaper columns and articles Bolaño wrote during the last five years of his life, as well as the texts of some of his speeches and talks and a few scattered prologues.” Also out: Library of America does Kurt Vonnegut with Novels & Stories, 1963-1973; The Secret Knowledge: On the Dismantling of American Culture, a political tome by playwright David Mamet; and Incognito: The Secret Lives of the Brain by David Eagleman, the scientist and polymath who was recently profiled in the New Yorker.
Open Letter Books director Chad Post teamed up with Green Apple Books buyer Stephen Sparks to make a list of their twenty favorite books in translation. Among their selections is László Krasznahorkai’s Satantango, which Adam Levy reviewed for us last year, and which Post and Sparks describe as “a diabolical, haunting deconstruction of apocalyptic messianism.”
Three finalists have been named for this year’s $10,000 Albertine Prize: Eve Out of Her Ruins by Ananda Devi, The Heart by Maylis de Kerangal, and Bardo or Not Bardo by Antoine Volodine. Voting is open until Sunday, April 30th. Also, you can read more about Volodine’s work courtesy of Grant Munroe.