Recommended Viewing: Go and check out the delightfully illustrated comic “Amiri Baraka Is in Contempt” by Nathan Gelgud at The Paris Review.
Two years ago, Allison Parrish produced a diary of an expedition through “fantastical places that do not exist.” The twist? The diary was generated by a computer program, which extracted more than 5,700 sentences drawn from Project Gutenberg and later recombined at random by “switching out grammatical constituents.” An extract of the finished work, interspersed with Parrish’s nonfiction essay, can be read here.
Sam Lipsyte’s new collection The Fun Parts is out this week. Also out are Red Doc> by Anne Carson, Mary Coin by Marisa Silver, How to Get Filthy Rich in Rising Asia by Mohsin Hamid, Jacob’s Folly by Rebecca Miller, The Accursed by Joyce Carol Oates, and The End of the Point by Elizabeth Graver.
Another packed line-up: New this week is Stephen King’s 11/22/63, Umberto Eco’s The Prague Cemetary, Ingo Schulze’s, and Adam and Evelyn (all three of which were previewed by us). We also have new biographies of Kurt Vonnegut and Catherine the Great. And new in paperback, sometime Millions contributor Matthew Gallaway’s The Metropolis Case.
Sarah Fay, associate editor of The Paris Review, has a piece in The Atlantic on the digitization of book reviewing, framed beautifully by references to George Orwell’s 1946 essay “Confessions of a Book Reviewer.” She praises Bookslut, Nancy Pearl, Goodreads, and The Los Angeles Review of Books for their collective skills of recommendation, reviewing, and New Criticism. I’d add The Quarterly Conversation, The Rumpus, The New Inquiry, The Morning News (for their annual Tournament of Books feature), and of course, The Millions.