“LET THERE BE stress. Let the body respond to stress as it does to injury and infection. Let stress be a vulture that pecks at the mind and devours the body. This will make people less likely to be stressed. When they see stress wreak wrath upon the body, they will surely calm down a lot.” It seems the big problem with intelligent design is that it had a pretty sub-par peer review.
Let There Be
Feeling Fraudulent
“Whenever I tried to invent a character or a situation, I felt a stab of guilt. I could hear my teacher’s quavering voice saying, Write what you know! Why had she insisted on this so vociferously?” Writing class mantras are easy to impart but they are also easily misinterpreted. A.X. Ahmad, author of The Last Taxi Ride and The Caretaker, learns this truth the hard way as he tries to become a writer following a personal upheaval. Pair with Ahmad’s Millions essay on “The Thriller, Reinvented.”
Tuesday New Release Day
Happy Freedom Day: The work at the center of all the reviews, magazine covers, and even, of course, controversy, has arrived. Jonathan Franzen’s long-awaited novel Freedom hits shelves today. Our review. Also out today is Booker longlister Skippy Dies by Paul Murray. Another newly translated Roberto Bolaño is out, The Insufferable Gaucho. As is You Were Wrong by Jamestown author Matthew Sharpe. Finally, fashion fans will dig vintage Japanese prepster handbook Take Ivy.
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Book Decor
Will books in white wrappers become this year’s deer head? At The New York Times: Physical books find new life as design objects.
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The Commitment-phobe’s Genre
The essay is more than just a literary genre but a lifestyle, and it’s dominating American society, Christy Wampole argues. “The genre and its spirit provide an alternative to the dogmatic thinking that dominates much of social and political life in contemporary America,” she writes.
Splendid, Vibrant
Recommended Reading: Tolu Ogunlesi on how “Nigeria’s literary scene has burgeoned into this splendid, vibrant space.”
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Prisons From Another World, Another Time
Eric Benson interviewed Bruce Jackson about “the strange and brutal world of Southern prison farms.” Jackson, who recently published a collection entitled Inside the Wire, snapped prison photographs in Texas and Arkansas from 1964 to 1979. The images depict both the mundane and the surreal, occasionally appearing as though they were “taken from a fever dream.”
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