“Their deliberately childless life, their cat, Converse (named not for the shoe but for the political scientist), their free-range beef and nights and weekends of reading and grading and high-quality television series—it was fine and a little horrible. She gets it.” It shouldn’t take much convincing to get you to go and read some new fiction by Curtis Sittenfeld, Gender Studies, over at The New Yorker.
Congratulations are in order for Vanessa Veselka: PEN American has awarded her debut novel Zazen the Robert W. Bingham Prize. I first heard about the novel last year, from what was then the brand-spanking-new LARB, though this Minnesota Public Radio profile of Veselka is also a great way to get acquainted with her exciting talents.
“There are many ways to define ‘success’ as a writer,” and Jeffrey Condran writes about his own path to and definition of writerly success for The Missouri Review‘s blog. Hint: it has something to do with craft, something to do with editing, and a lot to do with a certain magazine.
“We note that there is a great lack of schoolbooks among secondary pupils, due to their weak purchasing power. The books currently in circulation will remain in use, but for purposes of ‘complementary consultation.’” Mozambique’s Education Minister has announced that with the start of the 2017 academic year, its school system will adopt a single book for each subject taught in the country’s secondary schools.
Led by Millions Top Tenner The Hunger Games by Suzanne Collins, dystopia is unseating vampires as the dominant theme in teen fiction, according to The Independent. The paper lists several other examples of the hot new trend, including Plague by Michael Grant and Matched by Ally Condie. (We’d argue that with dystopian classics like 1984 and Lord of the Flies on teen reading lists for decades, this is an old trend that’s new again.)