“It’s like a massive piece of denim, and with that denim you can make something really cool. You can make a jacket, you can make some cool jeans, or you can make a cushion or a cover.” When The New York Times decides it wants to define “punk,” you’d better get ready for some cringe-worthy responses. Here’s a Millions piece on Viv Albertine, author of Clothes, Clothes, Clothes, Music, Music, Music, Boys, Boys, Boys and no stranger to punk rock.
Litographs is a Massachusetts-based company that uses literature as inspiration for their designs. The text becomes the basis for the design. (Check out this example for Alice’s Adventures in Wonderland.) They’re launching a new Kickstarter campaign on Tuesday in which you can make a custom Litograph with whatever text you want. Pretty cool, right?
“You should feel embarrassed when what you’re reading was written for children,” Ruth Graham wrote in Slate last week, stirring the proverbial pot of new adult fans of Young Adult bestsellers like The Fault in Our Stars and Eleanor & Park. A host of YA-defenders rose up to shout her down. “You should never be embarrassed by any book you enjoy,” Hillary Kelly responds in The New Republic, unrealistically (we’re embarrassed by quite a lot). For the Washington Post, Alyssa Rosenberg cites examples of worthwhile, complex YA fiction we can certainly support: The Chronicles of Narnia, The Pushcart War, A Wrinkle in Time, and The Westing Game.
“If you want to be grateful for something today, be grateful for that: Ebola doesn’t fly,” according to a 2012 NYT op-ed. (Ok, so that’s not true, but you’re still probably safe.) If you (like me) have been obsessively re-watching that infected American patient walk into his hospital in Atlanta, I’d like to suggest you (I) first relax, and then indulge your (my) Ebolapocalypse fears elsewhere, e.g., a roundup of the 14 best pandemic novels according to Slate, 11 from io9, 22 from Bookshop, or all 1,000+ at Goodreads.
In her “Classic Russian Writers: For Teh Internets” column at McSweeney’s, KA Semënova “updates classics of Russian literature with modern technologies to see if the insights of those writers hold up today.” Her first two pieces explore Anton Chekhov’s “The Lady with the Dog” and Vsevolod M. Garshin’s “The Signal.”
According to Steve Denning at Forbes, “the U.S. has lost or is on the verge of losing its ability to develop and manufacture a slew of high-tech products.” He says the U.S. will never be able to manufacture a Kindle on its own soil. But if the environmental cost of producing just one e-reader, as VQR‘s Ted Genoways says, is “roughly the same as fifty books,” why would anyone want to?
The F.B.I. had a massive file on James Baldwin in the fifties and sixties. Among other things, their notes featured passages of surprisingly adept criticism, including an oddly in-depth look at sexuality in his work. You could also read Justin Campbell on race, fatherhood and Baldwin’s fiction.