The 2012 finalists for the Costa (formerly Whitbread) Book Awards have been anounced. In the “Novel” category, they are Bring up the Bodies by Hilary Mantel, Life! Death! Prizes! by Stephen May, The Heart Broke In by James Meek, and Days of the Bagnold Summer by Joff Winterhart. The Costa site has lists of the nominees in all categories.
“Maybe our anointed literary books just have to be earnest ones because earnest ones showcase that soupçon of intelligence. Maybe humor isn’t felt to indicate a genuine commitment to looking smart.” Year in Reading alum Lydia Millet talks with Jenny Offill about humor writing, what books are “anointed” as modern classics, and Millet’s new book, Mermaids in Paradise.
“I’ve been spending a lot of time with my husband’s American cousins, who have a five-year-old daughter. She is fascinated and confused by my ‘Briddish’ accent, which she seems to think at points is something I’m putting on. She invented a game where she’ll point at an object in the room and I have to say the word for it—Carpet! Dump truck!—in my best American accent (which is dreadful, by the way). This had her in stitches. When the laughter had died down, she turned to her parents, suddenly contemplative, and said, ‘Isn’t it amazing that Sarah knows a few words in our language?’” Lily Blacksell interviews T.S. Eliot Prize-winning poet Sarah Howe on how being in the U.S. changes her perception of language, writing in the first-person, and “authenticity.”
In the Winter 2013 issue of The Paris Review, Kevin Prufer published a poem, “How He Loved Them,” that tackled the aftermath of a car bomb explosion outside of a courthouse. On the magazine’s blog, Robyn Creswell interviews Prufer, who laments that “somehow, when we enter the territory of politics, we expect our poems to shill for votes, to argue strongly for particular beliefs.” (He also has a new book out.)
“Reading the Grateful Dead is not a history of the band; it is a study of the landscape they and their fans created, as surveyed from a caravan that crisscrossed the country, Europe, and even Egypt for roughly 2,300 shows over 30 years.” Dead Head Buzz Poole takes a look at “Grateful Dead studies.” (The song that turned him, it turns out, was ‘Scarlet Begonias.’)
You should totally go to Edan’s reading tonight. But if Brooklyn is inconvenient for you while Manhattan is somehow more manageable, Millions founder and editor Max will be appearing with several other editors at the National Book Critics Circle panel “How to Publish Book Reviews & Features” at The New School at 6:30pm.