It doesn’t get much better than James Wood on Joy Williams: “Nothing is stranger (and funnier) in Williams’s work than her details. Like her forms, they only resemble conventional realist details, an atmosphere perhaps encouraged by her flat, functional sentences (“They danced. Sam had quite a bit to drink”). The details are frequently surreal, magical, hallucinogenic, delivered in a cool, dispassionate, routine manner.”
This year is all about #readwomen2014 and #weneeddiversebooks. Faint Promise of Rain, the debut novel from Anjali Mittar Duva, satisfies all these criteria. The book is just out from SheWrites press and is set in the turbulent, caste-driven setting of the Mughal empire. Read an excerpt over at Bloom.
Michael Kimball wants to save you $50,000 dollars on an MFA - by sharing what's he taught himself. Interested in reading more from someone without a traditional writing degree? Our own Hannah Gersen explains "The Value of Writing Programs: On Why I Don't Have an MFA."
“When we read with a child, we are doing so much more than teaching him to read or instilling in her a love of language." Anna Dewdney, best-selling children’s author and illustrator, died this past weekend after a battle with brain cancer. Her obituary concluded with this: “She requested that in lieu of a funeral service that people read to a child instead.”
"As much as there is an evergreen fascination for Christie’s stories, there's also an alluring air of mystery surrounding the woman herself." Broadly explores the enduring nature of Agatha Christie's stories, the recent surge in adaptations (including Murder on the Orient Express), and the mysterious 11-day disappearance of the writer herself. From our archives: an essay on the sometimes inherent predictability of the mystery genre.
From The Independent, the best of the new breed of underground literary magazines to fit into that “empty slot on the bookshelf between your pristine copies of McSweeney's Quarterly Concern and Granta.”