“Because what [narcissists] have inside is empty space, they have had to make a study of the selves of others in order to invent something that looks and sounds like one. Narcissists are imitators par excellence. And they do not copy the small, boring parts of selves. They take what they think are the biggest, most impressive parts of other selves, and devise a hologram of self that seems superpowered. Let’s call it ‘selfiness,’ this simulacrum of a superpowered self.” Go enjoy this excerpt from Kristin Dombek’s new book The Selfishness of Others: An Essay on the Fear of Narcissism.
“Baldwin understood that if you are going to say something important about the world it is best if you try to say it beautifully. I don’t mean like picking flowers or writing on fancy stationery. I mean how you say it actually makes it a more meaningful piece of writing. I am going to push that further. It makes it a truer piece of writing. What you are saying is: ‘Can I make somebody feel this in a deeper way?’ That was what I was obsessed with.” Over at The Guardian, Ta-Nehisi Coates talks about the success of Between the World and Me and being inspired by his father. Pair with our own Sonya Chung’s essay on David Brooks and Ta-Nehisi Coates.
When, in 1921, a young French writer working as a translator for James Joyce asked the writer to reveal his schema for Ulysses, Joyce balked, saying that “If I gave it all up immediately, I’d lose my immortality.” What he meant, at least in part, is that he wanted his opus to be relevant in perpetuity. At Full-Stop, Dustin Illingworth reads Ulysses on Twitter and asks: can the book survive the transition from the page to social media? Pair with: Josh Cook on The House of Ulysses by Julian Rios.
Variety reports that Universal Pictures has purchased the film rights to Melissa Marr‘s YA fantasy novel Wicked Lovely. Edward Scissorhands screenwriter Caroline Thompson is to adapt the book about a young girl pursued by the king of the fairies. As far as king-of-the-fairies movies go, I’m more interested in what’s happened to the film adaption of Susanna Clarke‘s Jonathan Strange and Mr. Norrell, whose film rights were purchased in 2004.
“In the 1970s it circulated among Left Bank intellectuals, including Sartre and Bernard-Henri Lévy, as an aid to productive writing. In 1981 it was listed as a controlled substance in the US and in 1986, after it was scheduled under the WHO Convention on Psychotropic Substances, it was removed from prescription sale.” The London Review of Books reviews two histories about the role of drugs in the fighting of wars, Blitzed: Drugs In the Third Reich by Norman Ohler and Shooting Up: A History of Drugs in Warfare by Łukasz Kamieński Hurst. Both pay particular attention to Captagon (the name a portmanteau of “captain” and “pentagon”), a pharmaceutical that has become common throughout Eastern Europe, the Gulf States, India, and China, and by 2014 “had become a significant source of funding for all sides in Syria’s civil war.”