The Guardian has a list of its five favorite on-campus novels, including Jeffrey Eugenides‘ The Marriage Plot, which we ran an excerpt of back when it came out, and Donna Tartt‘s The Secret History, whose connections to the academy we’ve also explored on the site.
“Though female authors write experimental novels about women—like Renata Adler’s Speedboat or Sheila Heti’s How Should a Person Be?—the avant-garde has long been associated with male authors and stories. That association made Alexandra Kleeman’s You Too Can Have a Body Like Mine seem doubly unusual.” On Kleeman’s debut novel and blatantly feminine themes in the avant-garde.
Over at Bookslut, Brian Nicholson follows up our recent piece on Silvina Ocampo’s Thus Were Their Faces with his own review of the book, writing that “She does not need to invent books of infinite pages, for the world of what we know already contains things as strange as mirrors.” The review draws a comparison between her work and that of Borges, her close friend.
Duncan Murrell has a new essay up on the Harper’s Magazine blog about how difficult it is for journalists to speak to their sources through interpreters. “I became concerned that my interpreters were not delivering my words in the way I delivered them and in precisely the way I meant them,” he writes.