“Cursed Child … is an act of overreach that feels mandated not by [J.K.] Rowling’s desire to fill out details but by an entertainment industry intent on reviving and rebooting anything that’s ever made money.” Sophie Gilbert reviews Harry Potter and the Cursed Child for The Atlantic.
New this week are Anita Desai’s The Artist of Disappearance and P.D. James’ Pride and Prejudice sequel Death Comes to Pemberly. Joseph Gordon-Levitt hangs up his acting duds to put out The Tiny Book of Tiny Stories: Volume 1, and, speaking of tiny stories, there’s Lou Beach’s 420 Characters: “these crystalline miniature stories began as Facebook status updates.” On the nonfiction side, there’s Extra Virginity: The Sublime and Scandalous World of Olive Oil by Tom Mueller.
“The immigrant who arrives too late in life to adapt to his new country, but too early to survive on nostalgia for the old country, has to create a third, imagined country to live in.” Peter Pomerantsev writes for the London Review of Books about Brighton Beach, Russian immigrants and a “self-made America.” Pair with Matthew Wolfson‘s review of Yelena Akhtiorskaya‘s novel of Brighton Beach and Odessa, Panic in a Suitcase.