“Nathan Englander’s characters have invented ‘the Anne Frank game’ whose major question is ‘who would hide you if there were another Holocaust.’ By making this a game, the characters demonstrate their affective distance from the event, but at the same time Englander illustrates that the Holocaust remains a touchstone for the marijuana-smoking, Orthodox Jews who bring the game to their secular Jewish friends.” On the fictional afterlife of Anne Frank.
We’ve written a fair bit about the By the Book series at the Times. You can read a selection of the best entries in a collection published by the paper. This week, the series featured another novel guest: Alan Gilbert, the conductor of the New York Philharmonic. Sample quote: “I don’t seek out books about music. I’ve read them over the years, but somehow, as a genre, it isn’t something I am specifically looking for.”
“In publishing, we see this play out in a number of ways. Marginalized writers are told by white editors, we need your stories now more than ever, as if we have not always needed them urgently. We are told our experiences are timely, exotic, and trendy. We are told our stories are not authentic if our characters do not suffer, as if the only way to prove that we are human is to bleed.” Natalia Sylvester on the erasure that comes when marginalized writers are constantly being told by the publishing industry and others that your book about your marginalized identity is ‘timely’.