“When watching [Abbas] Kiarostami films, one also has a great sense of another kind of freedom not found in Hollywood movies, nor in most European art films: freedom from the creeping realization that a film we are watching was made by a cynical shit or a self-deluded megalomaniac.” Here’s something you don’t see every day — an essay that begins with an Independence Day showing of The Purge: Election Year, and somehow ends up at a poetic examination of Kiarostami’s artistic legacy.
Articles lamenting the supposed death of reading tend to include a gripe that we now spend too much time on the Internet. However, as those of you who read a lot of books and live partially on the Internet are aware, the two activities aren’t mutually exclusive. NPR’s Morning Edition has a new story (which includes our own Janet Potter discussing her rewriting of classic novel titles as click-bait headlines) about the intersection between the lit world and the meme world.
M. Evelina Galang, author of Her Wild American Self and current director of the University of Miami’s MFA Creative Writing Program, is featured in the latest issue of Kartika Review, “a national Asian/Pacific Islander American literary arts journal.” You can read the entire Fall 2011 issue for free.
New this week: My Name Is Lucy Barton by the Pulitzer laureate and Year in Reading alumna Elizabeth Strout; The Happy Marriage by Tahar Ben Jelloun; And Again by Jessica Chiarella; American Housewife by Helen Ellis; Your Heart Is a Muscle the Size of a Fist by Sunil Yapa; This Census-Taker by China Miéville; Eleanor by Jason Gurley; The Dogs of Littlefield by Suzanne Berne; and Even the Dead by John Banville’s alter-ego Benjamin Black. For more on these and other new titles, check out our Great 2016 Book Preview.