A Quality of Immortality

August 9, 2016

“When watching [Abbas] Kiarostami films, one also has a great sense of another kind of freedom not found in Hollywood movies, nor in most European art films: freedom from the creeping realization that a film we are watching was made by a cynical shit or a self-deluded megalomaniac.” Here’s something you don’t see every day — an essay that begins with an Independence Day showing of The Purge: Election Year, and somehow ends up at a poetic examination of Kiarostami’s artistic legacy.

is an intern for The Millions. He reads and resides in North Carolina. Brian can be found on Twitter @jbetling, and in the real world behind the counter of Scuppernong Books in Greensboro, NC.

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