Over at VICE, Karan Mahajan, Tanwi Nandini Islam, and Jenny Zhang talked about the new generation of Asian American writers. “There isn’t really a canon, which means if you are Asian American and writing, you’re automatically adding to it. Once I realized this, I became extremely protective of my writing,” said Zhang. Pair with this Millions interview with Mahajan.
The Syrian publishing industry is but one of the casualties in the nation’s ongoing civil war. “The whole of publishing is not more than 10 percent of what it was in the past,” says Samer al-Kadri who runs Bright Fingers Publishing House in Damascus.
On Zadie Smith in the Guardian: The new novel arrived fully-formed: Zadie Smith woke up one morning, and On Beauty was all there, in her head. She wanted to write a long marriage – she’d just got married herself, was curious what 30 years of it would be like – and she had a plot. When she described it to her new husband, poet and novelist Nick Laird, however, he pointed out she was simply rewriting Howards End. But she has never been afraid of tribute, and [E.M.] Forster was a “first love”; she had a couple of serious wobbles but this did not put her off.The Guardian also gives the book a good review. On Beauty comes out September 13.Every once in a while I spot an interesting looking item in those ads at the top of the page. Today I saw one for Out of Eden: Odyssey of Ecological Invasion by Alan Burdick. It looks like the sort of book you’d like if you like Jared Diamond’s books. It describes how different invasive species have managed to relocate to new parts of the globe.Tattoos and literature are becoming ever more enmeshed, it seems. Recent novels by Jill Ciment and John Irving dwell on tattoos, and now a Brooklyn writer, Shelley Jackson, “has been having volunteers tattooed with individual words of her 2,095-word short story (“Skin”) since 2003. Only 700 words remain to be tattooed.” Read about it here.Another online book-tracking and tagging application: Reader2
Though everyone is tired of the online critics are too nice/ do critics even matter debate cropping up everywhere as of late, Daniel Mendelsohn’s “Critic’s Manifesto” may be the best thing to come out of the conversation yet: a clear formulation of what it means to be a critic and why that matters.