Over at VICE, Karan Mahajan, Tanwi Nandini Islam, and Jenny Zhang talked about the new generation of Asian American writers. “There isn’t really a canon, which means if you are Asian American and writing, you’re automatically adding to it. Once I realized this, I became extremely protective of my writing,” said Zhang. Pair with this Millions interview with Mahajan.
The Wall Street Journal sent Geoff Dyer a bottle of El Segundo Brewing Company’s Blue House Citra Pale ale, and asked him to write about it. Because he’s Geoff Dyer, and there isn’t a topic (e.g. aircraft carriers, photography) on Earth that he can’t write about, he of course obliged.
In the June Atlantic, William Deresiewicz revisits that old favorite subject, the past and future of the Great American novel, in a review of two new books about the history of novels: The Dream of the Great American Novel by Laurence Buell and The Novel: A Biography by Michael Schmidt. (Dizzy yet? If not, consider nine other experts' opinions on the Great American Novel here at The Millions, for a round dozen.)
The most depressing favorable review of a TV show you'll read this year, LA Review of Books shares why "Catfish: The TV Show" is so poignant and so very sad.
“The things I do not want to write about become the things I write about.” Year in Reading alumnus Eimear McBride talks to The Guardian on the occasion of her second novel's arrival. The Lesser Bohemians follows upon her hugely successful debut, A Girl Is A Half-Formed Thing, which we reviewed back when it came out in the U.S.